Berkeley Big Bang '08 [
Berkeley, CA]
Berkeley Big Bang 08 :: June 1-3 :: Berkeley, CA
Join us for Berkeley Big Bang 08, three days of new media and art hosted by the Berkeley Art Museum/Pacific Film Archive and the Berkeley Center for New Media, timed to link with 01SJ: A Global Festival of Art on the Edge, a new media art biennial taking place June 4-8 in San Jose. Occurring together for the first time, these two events combine to create one of the nation’s largest gatherings of new media art, a week-long “big bang” of innovation and creativity. The Berkeley Big Bang program will include a two-day symposium on new media, art, science, and the body Continue reading




NEW THURSDAY CLUB :: Supported by the Goldsmiths GRADUATE SCHOOL and the Goldsmiths DIGITAL STUDIOS :: 6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross, SE14 6NW :: FREE, ALL ARE WELCOME. No booking required.
“In February 2008, five artists and artist groups from all over the world were nominated in Cologne by an international group of experts for the fourth International Nam June Paik Award donated by the Kunststiftung NRW (Arts Foundation North-Rhine Westphalia), Düsseldorf. The works selected for the award will be exhibited in the permanent collection of traditional European fine art in the Wallraf-Richartz-Museum & Fondation Corboud in Cologne from 26th of September until 16th of November 2008. On October 16, 2008, the prize will be awarded by the president of the Kunststiftung NRW, Dr. Fritz Schaumann.
New writing for Brown’s immersive 3D virtual environment. Cave Writing Spring’08 will be giving a number of presentations from the workshop on the evenings of May 14, 15, and 16, at the CCV (Center for Computation and Visualization) CAVE, 180 George Street (NE corner at Brook), 6:30 to 8:30 pm.
In February 2004 the EAF presented Art of the Biotech Era – an exhibition, symposium & workshop. Since 2004 the EAF has expanded the Art of the Biotech Era project through various undertakings such as Eduardo Kac’s Biotech Art workshop in 2005 involving leading national and international artists and theorists presenting works exploring biotechnology and genomics and discussing the influence of this techno-scientific change of society, the ethical implications of genetic engineering and the concept of aesthetics in biotech arts.
[Image Left: Anthony Townsend] “[I]t should be clear that telepathy is historically linked to numerous other tele-phenomena: it is part of the establishment of tele-culture in general. It is necessarily related to other nineteenth-century forms of communication from a distance through new and often invisible channels, including the railway, telegraphy, photography, the telephone and the gramophone. It is this part of a culture which is still in the process of being articulated, and in this respect perhaps the question “Do you believe in telepathy?” need not be regarded as categorically or essentially distinguishable from questions such as “Do you believe in the telephone?” or “Do you believe in television?”
“Abstract: This paper analyzes the relationships between creative design and the field of information visualization, with a focus on historical connotations and newest developments that show great potential. Empirical evidence shows how designers often employ information visualization as a creative concept capable of significantly determining the design outcome, and vice versa, how information visualization can be enhanced by exploring interdisciplinary concepts, such as design cognition, user engagement, aesthetics and art. Several symbiotic dependencies are explained and demonstrated, including the first conceptual cyberspace and information architecture definitions. 





















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