The following comment from Benton Bainbridge frames a question that we, the organizers have been asking since we first thought of this blog. What connects the future and past of networked performance. How has networked performance evolved? What directions has it taken? A real understanding will come from individual replies to the questions Benton has posed. We hope you will make an effort to answer them.

From Benton: “my personal interest would be connecting the dots between the future and the past of networked/collaborative performance. can we advance today’s efforts in distance collaboration through global and local digital networks by studying similar ambitions in earlier networked media?

my background is live audiovisual performance. the history of this discipline still hasn’t been written, so as a country boy i drew inspiration and guidance from other collaborative arts: live music, underground comix ‘jams’ and performance art. Laurie Anderson, “Good Morning Mr. Orwell” and Youngblood’s “Expanded Cinema” were key triggers too.

i’m curious how networked performance artists on this blog developed their art. how did you get into networked performance; what was your inspiration and how did you map the territory - firsthand R&D or study of past masters?

~benton-c”