From an essay written for Camerawork: A Journal of Photographic Arts by Matt Locke:

[A story about Uncle Roy All Around You by Blast Theory; A story about Surrender Control by Tim Etchells; and A story about Audit by Lucy Kimbell]

“Those stories describe three interactions. Or performances. Or moments in the production, or consumption, of an artwork. Or perhaps they are descriptions of how the production and consumption of an artwork can be reduced to the same act, the same moment. They operate within, to use Nicholas Bourriaud’s term, a ‘relational aesthetic’ - these artworks don’t rely on an encounter with a traditional art object, nor do they substitute that with some transcendent concept of a dematerialised art object. In Bourriaud’s definition, these works exist within “the realm of human interactions and its social context, rather than the assertion of an independent and private symbolic space”. They are moments to be experienced, not viewed, reaching out and enmeshing themselves in the messy network of conversations and relationships that make up your life.” Continue reading.