Networked_Performance

Upgrade! International: DIY Oklahoma City

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Upgrade! Boston

Upgrade! International: DIY Oklahoma City :: November 30-December 3, 2006 :: International Upgrade! organizations and their artists will converge in Oklahoma City to present art and ideas to each other and the community in the second annual international symposium. Included in the event will be workshops on art and technology, audio/video performances and presentations, and exhibitions of works by international and regional artists representing this yearÂ’s theme: DIY (Do-It-Yourself). Upgrade! Boston will contribute the following:

DIY or Die: An Upgrade! New York, Turbulence, and Rhizome Net Art Exhibition :: In celebration of their respective ten-year anniversaries, Turbulence and Rhizome collaborated with Upgrade! New York to present an exhibition of works that they commissioned or presented over the course of their histories. The term D.I.Y. (or do-it-yourself) expresses an independent ethos, one that encourages cultural producers to create and distribute work outside mainstream or commercial systems and often in direct confrontation with them.
In this case, D.I.Y refers not only to works in the show, many of which create alternate models for collaborative artmaking, community building, and media distribution, but to the organizations themselves whose missions–to commission and present digital art work–had no tradition or cultural niche to call upon. Historically, net artists have included audiences in their work; many created calls to action that compel their audiences to intervene and contribute their own ideas, stories and histories. From re-purposed commercial software to homegrown digital knitting applications and works that offer alternative constructions of identity and nationality, D.I.Y. OR DIE presents a cross-section of Internet-based art that, much like punk and grassroots activism has the urgency and invention required to change existing standards of art practice.

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Imaging Oklahoma City by John (Craig) Freeman :: Participants will go out into the streets to produce the material for “Imaging Oklahoma City.” “Imaging Place,” is a place-based, virtual reality art project that takes the form of a user navigated, interactive computer program combining panoramic photography, digital video, and three-dimensional technologies to investigate and document situations where the forces of globalization are impacting the lives of individuals in local communities.

Artist and educator John (Craig) Freeman’s work has been exhibited internationally including at the Kaliningrad Branch of the National Center for Contemporary Arts, Russia; and Ciberart Bilbao, Spain. In 1992 he was awarded an Individual Artist Fellowship from the National Endowment for the Arts. Lucy Lippard cites Freeman’s work in “The Lure of the Local”.

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networked_performance: participatory art by Helen Thorington :: The networked_performance blog chronicles network-enabled practice, discloses a wide range of perspectives, and uncovers commonalities. Artists are utilizing technologies that are inexpensive, mobile and wirelessly networked. Thorington will review works – from telematic and locative events to wearables, and responsive objects and environments – and show how they use objects and events from everyday life to create work that is characteristically hybrid, performative and relational.

Helen Thorington is a writer, sound composer, and radio producer whose radio documentary, dramatic work, and sound/music compositions have been aired nationally and internationally. Thorington has created compositions for film, installation and dance. She performed with the Bill T. Jones/Arnie Zane Dance Company at The Kitchen, New York City in 2003. Her articles on networked musical performances are published in the December 2005 and February/April 2006 issues of Contemporary Music Review.

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Participation, Technology, and Musical Performance by Jason Freeman :: Jason Freeman breaks down conventional barriers between composers, performers, and listeners, using new technology and unconventional notation to turn audiences and musicians into compositional collaborators. He will discuss “Glimmer”, “N.A.G.”, and “Graph Theory” which connects composition, listening, and concert performance by coupling an acoustic work for solo violin/cello to an interactive web site. There will be a ten minute performance of “Graph Theory.”

Jason Freeman received his D.M.A. in composition from Columbia University. His music has been performed by the American Composers Orchestra, Speculum Musicae, the So Percussion Group, the Nieuw Ensemble, Le Nouvel Ensemble Moderne, and Evan Ziporyn; and his interactive installations and software art have been exhibited at the Lincoln Center Festival, and the Transmediale Festival.

A Day in the Life with Burak Arikan

A DAY IN THE LIFE is a platform for simultaneous global performances and a base for international collaborations. Urban spaces in MUNICH, OKLAHOMA CITY, BOSTON and ISTANBUL will be connected with each other via a streaming video server. The full performance will only be complete when all four locations are viewed simultaneously. A DAY IN THE LIFE was conceived by Horst Konietzny and Tamiko Thiel of Upgrade! Munich.

BURAK ARIKAN is contributing Upgrade! Stock Market, in which participating Upgrade nodes (Boston, Istanbul, Munich and Oklahoma City) will become traded companies. Each Upgrade node will have 100 shares. Sensors mounted at the entrance to the gallery will register how many people are in the room at any one time and send this information to a central server. Each node will gain or lose value depending on the number of people in its local space.

Burak Arikan is an artist and designer creating systems that evolve with the interactions of people and machines. He shows the instances of these systems through diverse media including prints, animation, software, electronics, and physical materials. His work has recently been shown at Ars Electronica, and the Venice Biennale. Arikan recently completed his master’s degree at the MIT Media Laboratory in the Physical Language Workshop (PLW) led by John Maeda.

Upgrade! International: DIY Oklahoma City
John (Craig) Freeman
A Day in the Life
DIY or DIE
Helen Thorington
Jason Freeman
DIY Recipe [PDF] [catalogue entry for Upgrade! Boston]


Nov 28, 13:10
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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
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