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Stay in Place

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Telesharing

Stay in Place reveals the resurgence of small complicities between two friends in a chat session while the screen acts as a mirror of oneself and the other, and makes us reflect about personal relationships in the presence of new technologies.” — Arlan Londoño, curator

STAY IN PLACE is a reflection of connection moment between two friends through a Chat by Internet. In this way, a teleshared space arises among them when both maintain a telematic talk by this channel. This scene is captured by the creator of this video, Sara Malinarich, with the intention to trap this spontaneous action in which both achieve to articulate a narration in the context of an unique and unrepeatable situation.

According to this video, the woman that is in the upper window is Maren Pimstein, who was located in Santiago of Chile at 14:32 hrs. of June 12 of the 2006; the another is Sara Malinarich, was in Cuenca, Spain at 19:32hrs of that same day. Continue reading


Jan 30, 14:51
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The Burning Question

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Gallery as Radio Station

The Burning Question, by Abinadi Meza, is a participatory installation and internet radio broadcast. This project consists of customized computers, large color posters, and pamphlets examining Intellectual Property and copyright. Multiple computers are loaded with hundreds of works contributed by composers, musicians, and sound artists from around the world. Visitors are offered blank CD’s and invited to freely burn copyleft music; as they make playlists, they collectively generate an Internet radio broadcast that streams 24 hours a day from the gallery for the duration of the exhibit. The gallery becomes an impromptu radio station and visitors become DJ’s. [via Rhizome] Continue reading


Jan 30, 14:39
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OPEN VIDEO PROJECTS

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CALL FOR SUBMISSIONS: Season 2

Open Video Projects (OVP) is a video archive currently based in Rome, Italy which facilitates screenings throughout the city in conjunction with a weekly appointment at the Blueroom evening at Rialto Santambrogio, a contemporary cultural center in Rome’s historic district; Blueroom features a dynamic mix of live experimental electronic music, a rotating DJ line-up, live video-mixing, site-specific video installations and 3500 cm² (a weekly exhibition of poster art specially designed by a contemporary artist for free distribution at the event). There has been overwhelming public response with over 1000 guests in attendance each week. OVPÂ’s participation in large scale cultural events exposes the public to work it would normally not see, as well as provides a unique form of visibility for the participating artists and filmmakers. Continue reading


Jan 30, 13:59
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RE: [iDC] wrapping up: “new media” education curricula/potentials

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The Negotiatior and the Knife

[Tiffany Holmes asked] “Would anyone wish to volunteer a story about an influential teacher or mentor who impacted their development as an artist or scholar?

There are two contrasts which taught me more about education than listing syllabi — that between the negotiatior and the knife.

First, the knife. In the third year of my undergraduate education in English Honours (an underground mafia of critical theorists, marxists, feminists, and continental philosophers) I ended up in a two term seminar simply titled “Theory.” A somewhat notorious seminar for its drop-out rate: this seminar went from a healthy bunch of 25 to about 8 within 30 days. Many students received failing grades on their first paper. They were not encouraged to return. Those of us who were doing well were pushed even harder: the comments on our papers were brief and penetrated beyond the paper itself, a kind of samurai incision to the work that reduced it to nothingness. The professor was like a zen master: the comments were koans, the lectures parables of emptiness. The professor in question was highly trained in deconstruction and psychoanalysis, a feminist and lesbian, expert in law, computer technology, James Joyce and senior faculty. She was a product of the critical ’60s left. Continue reading


Jan 30, 09:06
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ZOO: The Relationship Between Technology, Culture and Nature

shrimp.pngInterAccess is pleased to present ZOO, an exhibition of three works by three artists that artfully integrate natural and artificial life, colliding the realm of living things with the genre of creative electronics. Artists Ingrid Bachmann, Garnet Hertz and Amy Youngs explore the complex relationship between technology, culture and nature.

Opening Reception Friday February 2, 8:00 pm :: Artist talks Friday February 2, 7:00 pm :: Exhibition runs February 2 – March 17, 2007 :: InterAccess Electronic Media Arts Centre, 9 Ossington Avenue, Toronto. Continue reading


Jan 29, 13:28
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5+5=5

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Review by Tindara Sidoti

REVIEW: 5+5=5 by Tindara Sidoti: 5 short movies by 5 film makers about 5 networked art projects exploring critical approaches to social engagement.

Some of my earliest memories involve flashes of evocative cinematic imagery, Gene Kelly dancing athletically across a small screen or Alec Guinness and Peter Sellers squabbling. While studying art, this fascination with film coexisted, but the two arts were never really connected for me until I became more familiar with video and media art, later doing research on the influence of cinema on artistsÂ’ film.

5+5=5 is an experiment on the boundary of media, art and film; a cross-pollination that uses a variety of cultural influences from cinema and the Internet, to provide an access point to networked art and the artists groupsÂ’ selected projects. Furtherfield have commissioned these five short movies that feature conversations between artists, audiences and film-makers. 5+5=5 manages to tap into the current fluidity of the boundaries that exist, between genre and media; a space between art, film and technology that has resulted in artists like Douglas Gordon and Philippe Parreno releasing Zidane: A 21st Century Portrait (2006) in cinemas. Though interpretive, these films are more contextually assertive than Turner Prize nominee style documentaries and betray a more inter-disciplinary function. The movies are an example of how the relationship between art and film can work effectively; not only do they hook you, making you curious about the projects themselves but each one is an engaging film. Continue reading at New Media Fix. Continue reading


Jan 29, 12:35
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[iDC] New Media Education

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Luis Camnitzer

Seeing that in this discussion (Kanarinka, etc.) many are just entering the academic tunnel, I would like to contribute a little from the vantage point of the exit. I retired 7 years ago after slowly dying during 32 years in an institution that started well. We were to take off were we thought Antioch had stopped, “break the lockstep of traditional education” as our mission stated in 1968. The three decades plus spent on observing changes of mission, corruption, brown nosing and decay, only served to teach me that there is no way to build a truly progressive institution in the U.S. The rhetoric may be progressive, but the core won’t ever get there, and it is not only due to corporations, government, bad administration and self-serving colleagues.

Education in this country is only a relatively true right for the people until high-school level. After that it is a commodity in a profit making business. University profit comes of course from the tuition students have to pay for the honor of getting a job to help corporations make more profit. It comes from corporations themselves, that sponsor projects that benefit them (government and army being part of that), and it comes from non educational things like sports events. It is into this picture we enter trying to educate people, without realizing that we can’t really balance a greed-based structure with our idealism. Continue reading


Jan 29, 11:41
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Networking | The Net as an Artwork

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Presentation @ Transmediale

Presentation of the book: Networking | The Net as an Artwork @ Transmediale :: Sunday 4/2, 16:00 :: Salon, Akademie der Kuenste, Berlin, D :: With Tatiana Bazzichelli [it/de], Jaromil [it/nl], Gaia Novati [it/de]; moderated by Diana McCarty [de].

Networking | The Net as an Artwork :: Written by Tatiana Bazzichelli, with the preface of Derrick De Kerckhove and the epilogue of the Italian videoartist Simonetta Fadda. The book represents a first tentative to write a comprehensive history of both analog and digital subcultural networked art in Italy, through an analysis of the realities which during the past twenty years have given way to a creative, shared and aware use of technologies – such as Mail Art, Neoism, the Luther Blissett project, BBS culture, Telestreets, and many other subcultural movements and networks. Continue reading


Jan 29, 11:30
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Regine Debatty’s Interview with Mushon Zer-Aviv

MUSHON~1.png[…] Has the shiftspace project evolved since I first heard the presentation you made at Ars Electronica in September 2006?

Definitely! First of all, we had four more releases since then (with v0.08 is coming soon too) and have just launched the new ShiftSpace.org which is wider and more comprehensive than the previous site. The new site also allows users to watch and subscribe to RSS feeds of shifts created by the vast user community. We have been giving more presentations to spread the word and have been throwing ‘installation parties’ where participants were invited to install a public spaces on their laptops. Continue reading


Jan 29, 10:46
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XIV RADIO CREATION WORKS CONTEST

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Contest of Ideas

XIV RADIO CREATION WORKS CONTEST | CDMC-RADIO CLÁSICA 2007 :: The CDMC and Radio Clásica (RNE) are undertaking a collaboration to encourage the production of radio creations in order to promote this type of works. Within this line, a contest of ideas is called subject to the following RULES:

1 The works will necessarily be pieces of radiophonic creation, that is to say, whose most suitable means of production and diffusion is the radio. The works will not have been previously awarded nor emitted. 2 Words, noises, music, electronic or radiophonic editings and other similar elements may be the base of the work. 3 The project may be in Spanish only or in several languages but in this case Spanish should be the main language. The use of language or voice may also be omitted. 4 To enter the contest it will not be possible to send accomplished works, but mere projects: a written description of the work and of the elements that it will require, some excerpts as a model in cassette, CD or DAT, scores or fragments of these, acoustical materials, etc. Any form or presentation will be admitted, provided that it makes possible to the Jury to appreciate the interest of the projected idea. Continue reading


Jan 28, 19:15
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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
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