Networked_Performance

Art Criticism and Social Critique [de Berlin]

Where Do You Stand, Colleague? Art Criticism and Social Critique — Symposium on the occasion of the 20th anniversary of Texte zur Kunst :: December 11, 2010 :: Hebbel-Theater am Ufer (HAU 1), Stresemannstrasse 29, Berlin.

On the occasion of the 20th anniversary of the renowned Berlin-based journal for contemporary art, this symposium investigates art criticism’s potential to become social critique. When the journal was founded in Cologne in 1990, returning to the methods of social art history promised to link current artistic production to larger economic and ideological frameworks. Even if this approach has remained an important touchstone in the critical work of the journal and its most frequent contributors, new models have emerged: discussions around biopolitics and immaterial labor under post-Fordist conditions have radically questioned long-held methodological assumptions about the visual arts’ potentially antagonistic role in the capitalist societies of the West. Moreover, the notion of the aesthetic, which had for many years been utterly dismissed due to its association with idealist concepts of autonomy, has returned in unforeseen ways — by way of a recourse, for instance, to an emphatic and ethically motivated defense of aesthetic experience and an immersive attention to formal detail.
The symposium takes this situation as a point of departure in order to reflect on the role and potential of art criticism as social critique today.

Program

4:00 pm: Official Welcome by Arend Oetker, Berlin & Introduction by Isabelle Graw, Frankfurt am Main/ Berlin & André Rottmann, Berlin

4:15 pm: Opening Statement by Diedrich Diederichsen, Vienna/ Berlin

4:30 pm: Panel I: New Spirit of Criticism? The Biopolitical Turn in Perspective

Like no other field of theoretical investigation, studies of biopolitics and related discourses around immaterial forms of labor in post-Fordism have come to inform recent art criticism and history. This sort of approach to art allows us to revisit historic as well as contemporary artistic practices in terms of their complicity with an economic and political regime that seeks to produce social life and to control subjectivity by way of internalized notions of productivity, creativity, and individual freedom. These notions, still so dear to art-historical discourse, appear more problematic in a perspective informed by the discourse of biopolitics than repressive structures of authoritative interpellation. Yet the urgent question arises and needs to be addressed: does not this new master trope of (art) criticism itself amount to a totalizing gesture that subsumes all aesthetic phenomena to the insurmountable grasp of an omnipresent but elusive regime of power? Is the recourse to biopolitical thought maybe even part and parcel of the notion of life it wishes to analyze critically?

with
Franco Berardi, Milan
Luc Boltanski, Paris
Sabeth Buchmann, Vienna/ Berlin
André Rottmann, Berlin
chaired by Martin Saar, Frankfurt am Main/ Berlin

6:30 pm: Panel II: Between Specificity and Context. Social Art History Revisited

Social Art History, as it had been rediscovered and expanded as a methodology in Anglo-American art history in the early seventies, once provided the privileged critical model of how to align supposedly autonomous aesthetic phenomena with the specific historical, discursive, ideological, and economic conditions that shaped their production and the subjectivity of both artist and beholder. However, this approach was deservedly contested for its tendency to interpret works of art in a rather schematic fashion as mere illustrations of social conditions, ultimately neglecting the genuine logic of artistic phenomena. Are there theoretical models today that, while staying true to Social Art History’s methodological insights, can lead a way out of this theoretical impasse? Is there a way to reconcile formalist or phenomenological approaches with an attention to social and historical factors? And how can we write a contemporary social history in a non-reductive way, given recent shifts in media culture and forms of immaterial labor?

with
Benjamin H. D. Buchloh, Cambridge, Mass./ New York
Andrea Fraser, Los Angeles
Gertrud Koch, Berlin
Isabelle Graw, Frankfurt am Main/ Berlin
chaired by Sven Lütticken, Amsterdam/ Utrecht

8:30 pm: Break

9:30 pm: Panel III: From the Anti-Aesthetic to Aesthetic Experience?

In recent years, art criticism has witnessed a complete re-evaluation of the validity and reach of the notion of the aesthetic. Whereas postmodern theories of artistic production of the 1980s were largely determined by an anti-aesthetic impulse in their attempt to contest idealist tenets of the bourgeois appreciation of art, today’s debates are shaped by a return of the aesthetic in terms of a new valuation and conceptualization of the beholder’s experience of artworks, even if the latter defy modernist ideals of autonomy and self-sufficiency. This panel sets out to explore the implications and repercussions of this paradigm shift: Is the notion of aesthetic experience inadvertently championing an individualistic idea of the beholder? To what extent can it provide a model that would do justice to the specificity of a work in terms of its form and content as well as its social context, rather than explicating a universal mode of perception? Might the aesthetic be reliant on an emphatic idea of “Art” that, for many good reasons, had been challenged — if not utterly shattered — by critical art practices ever since the avant-gardes and the new spirit of capitalism, which is to a certain degree based on the recuperation of artistic critique?

with
T.J. Clark, London
Helmut Draxler, Stuttgart/ Berlin
Jutta Koether, Hamburg/ New York
Juliane Rebentisch, Frankfurt am Main/ Berlin
chaired by Christoph Menke, Frankfurt am Main/ Berlin

11:30 pm: Reception at the WAU restaurant (HAU 1) with DJ Carsten Jost and guests

Conference Organizers: Isabelle Graw & André Rottmann :: Conference Language: English :: Tickets available here.

in cooperation with Berliner Künstlerprogramm/DAAD


Nov 19, 19:40
Trackback URL

Leave a comment

Tags


calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2018

Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Massachusetts Cultural Council
New York State Council on the Arts, a State agency
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
More commissions