Networked_Performance

Invisible Fields [es Barcelona]

[“Immaterials: Light Painting WiFi” by Timo Arnall (with Jørn Knutsen & Einar Sneve Martinussen)] :: Invisible Fields :: October 14, 2011 – March 4, 2012 :: Arts Santa Mónica, La Rambla, 7, Barcelona, Spain.

Invisible Fields brings together over a dozen internationally known artists, designers and scientists to explore the radio spectrum – the invisible environment that underpins contemporary technology. Co-curated by José Luis de Vicente and Honor Harger, the show includes Timo Arnall (BERG), Thomas Ashcraft, Matthew Biederman, Anthony DeVincenzi (MIT Media Lab), Diego Diaz and Clara Boj, Joyce Hinterding, Rafael Lozano-Hemmer, Trevor Paglen, Job Ramos, Semiconductor, Luthiers Drapaires, and Rasa Smite & Raitis Smits (RIXC).

Invisible Fields explores how our understanding of our world and our cosmos has been transformed by the study of radio waves. With the invention of telecommunication technology at the end of the 19th century, the radio spectrum became a tool for rethinking the world we live in. Radio collapsed geographical distance, crossed borders and cultures, became a powerful catalyst for commerce and enabled scientists to study the cosmos in entirely new ways. Yet whilst the radio spectrum is the invisible infrastructure that enables the technologies of information and communication, most people are unaware of the way it works, how it is managed, and how it is has shaped our understanding of our lived environment.

Invisible Fields aims to shine a light on this enigmatic landscape. The exhibition differs from past explorations of these topics, in that it is conceived as an interdisciplinary blend of social-cultural analysis, science communication, and artistic practice.

More than a linear, historical narration of the evolution of spectrum technologies, Invisible Fields can best be understood as an “observatory”, which enables visitors to perceive the radio spectrum. It sets out the spectrum as a physical space, invisible but present, a terrain that can be studied, mapped, surveyed and explored. It is an environment made of signals and waves from nature, and from us. Its topography is formed of waves of different scales, from tiny emissions given off by domestic objects to vast emissions made by distant astronomical phenomena. It’s made up of signals that are very familiar, such as television and radio, and signals which are esoteric and enigmatic. It is an ecology that has public spaces – wireless internet and amateur radio – and secret spaces – coded military transmissions and clandestine signals.

Following on from pioneers such as John Cage, Alvin Lucier and Pauline Oliveros, contemporary artists such as Thomas Ashcraft, Semiconductor and Joyce Hinterding create powerful works that allow us to understand the radio spectrum as an extension of the natural world.

Sitting alongside their almost Emersonian understanding of radio as nature, is recent work in the field of architecture, design and urbanism, which expands the notion of urban space into the invisible realm of the spectrum. “Hertzian space”, a term coined by designers, Anthony Dunne & Fiona Raby, is defined by our transmissions of radio, television, wireless internet, GPS data and mobile phone signals. It is a space interrogated by artists and designers such as Timo Arnall from the BERG group in London, and Clara Boj and Diego Diaz who create clever visualisations of the presence of waves in our daily life.
Elsewhere in the show, artist Rafael Lozano-Hemmer’s monumental tribute to the radio dial, enables us to physically move through radio transmissions, giving us a visceral encounter with our ethereal cultural surroundings. And experimental geographer and artist, Trevor Paglen and artist-activists, RIXC, shed light on the dark zones of the spectral landscape.

Invisible Fields is not only concerned with the topology of the radio landscape, but rather the socio-political activities that take place within it. Alongside the artworks in the show are operational workshops, which remind us that our position with the architecture of the spectrum is far from being that of a passive observer. As such, the exhibition space hosts intensive activity for a wide variety of audiences, with workshops on Sunday mornings, and a complete education programme offered to schools.

Taken together the works in Invisible Fields make the intangible materiality of the electromagnetic spectrum visible and audible. They open up the Hertzian space around us, and above us, to our senses. The visions of artists, the solutions of designers, and the experiments of scientists give us the tools we need to create our own mental maps of this profoundly influential terrain.

Credits

Organized by Arts Santa Mònica
Curated by: Honor Harger and José Luis de Vicente
Assisted by: Irma Vilà
Produced by Arts Santa Mònica, in association with Lighthouse.

In conjunction with:

British Council
Bureau du Quebec, Barcelone | Conseil des Arts et des Lettres du Quebec
Laboral Centro de Arte y Creación, Gijon
Bòlit, Centre d’Art Contemporani, Girona

We acknowledge the support of: Proyecto PARTNeR Centro de Astrobiología (INTA-CSIC), Departament d’Astronomia I Meteorologia-Universitat de Barcelona, Escola Tècnica Superior d’Enginyeria de Telecomunicació de Barcelona-Universitat Politècnica de Catalunya.


Oct 14, 19:41
Trackback URL

Leave a comment

Tags


calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2018

Feb | Jan

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Massachusetts Cultural Council
New York State Council on the Arts, a State agency
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
More commissions