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The Mobile Audience: Media Art And Mobile Technologies

The Mobile Audience: Media Art And Mobile Technologies, edited by Martin Rieser, with an Introduction by Howard Rheingold:

The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design.

Mobile and Pervasive media are beginning to proliferate in the landscape of computer mediated interaction in public space through the emergence of smartphone technologies such as the iPhone, cloud computing extended wifi services and the semantic web in cities. These dispersed forms of interaction raise a whole series of questions on the nature of narrative and communication, particularly in relation to an audience’s new modes of mobile participation and reception.

These issues are explored through a series of focused essays by leading theorists, seminal case studies and practitioner interviews with artists at the cutting edge of these technologies, who are extending the potential of the medium to enhance and critique technological culture.

By emphasizing the role of the audience in this nomadic environment, the collection traces the history and development of ‘ambulant’ artistic practice in this new domain, creating an essential handbook for those wishing to understand the dominant global technology of the 21st Century and its implications for Art, Culture and Audience.

Contents

Howard Rheingold: Introduction
Martin Rieser: Overview

Section 1: Towards Hybridity.
A History of Audience Mobility

Erkki Huhtamo: Pockets of Plenty: An Archaeology of Mobile Media

Susanne Jaschko: The Temporal and Spatial Design of Video and Film-based Installation Art in the 60s and 70s: Their Inherent Perception Processes and Effects on the Perceivers’ Actions

Martin Rieser: Forgotten Histories of Interactive Space

Adriana de Souza e Silva: Art by Telephone: From Static to Mobile Interfaces

Section 2: Critical Issues in Mobile Art
Critical Contexts and Definitions

Mary Griffiths and Sean Cubitt: Mobile/Audience: Thinking the Contradictions

Jon Dovey and Constance Fleuriot: Towards a Language of Mobile Media

Beryl Graham: Snapshots from Curating Mobility

Understanding Public Spatialisation

Martin Rieser: Beyond Mapping: New Strategies for Meaning in Locative Artworks

Anke Jacob: Digital Media and Architecture—An Observation

Mirjam Struppek: Urban Screens as the Visualization Zone of the City‘s Invisible Communication Sphere

The Creative User

Debbi Lander: Future Physical: The Creative User and theme of response-ABILITY

Andrea Zapp: ‘A Fracture in Reality’: Networked Narratives as Imaginary Fields of Action and Dislocation

Section 3: Case Studies
Locative Art

Josephine Reid and Richard Hull: What Makes Mediascapes Compelling?

Valentina Nisi, Glorianna Davenport/Valentina Nisi, Mads Haahr and Glorianna Davenport: Hopstory/Media Tales of the Liberties

Drew Hemment, John Evans, Mika Raento and Theo Humphries: Loca: ‘Location Oriented Critical Arts’

Usman Haque: Invisible Topographies

Jonah Brucker-Cohen: Wifi-Hog: The Battle for Ownership in Public Wireless Space

The Creative User: The User as Co-creator

Paul Sermon: Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space

Christa Sommerer and Laurent Mignonneau: Mobile Feelings: Wireless Communication of Heartbeat and Breath for Mobile Art

Victoria Fang: The Living Room

Arianna Bassoli: tunA and the Power of Proximity

Margot Jacobs: Engagement with the Everyday

Cati Vaucelle: Between Improvisation and Publication: Supporting the Creative Metamorphosis with Technology

Anthony Rowe: Developing Creative Audience Interaction: Four Projects by Squidsoup

Wearable Computing

Lisa Stead, Petar Goulev, Caroline Evans and Ebrahim Mamdani: The Emotional Wardrobe

Katherine Moriwaki: Social Fashioning and Active Conduits

Laura Beloff: Wunderkammer: Wearables as an Artistic Strategy

Section 4: Artist Interviews
Locative

Fiona Raby: Flirt and Mset

Teri Rueb: Trace, The Choreography of Everyday Movement and Drift

Matt Adams: Blast Theory

Steve Benford: Mixed Reality Lab

Drew Hemment: The Politics of Mobility

Wearables

Joey Berzowska: Memory-Rich Garments and Social Interaction

Annie Lovejoy: Heart on Your Sleeve

Contributor Biographies

Glossary

Selected Bibliography

Rodopi, Amsterdam/New York, NY 2011. XV, 481 pp. (Architecture – Technology – Culture 5)
ISBN: 978-90-420-3127-2 Bound
ISBN: 978-90-420-3128-9 E-Book
Online info here.


Jan 11, 16:03
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