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Digital Prohibition: Piracy and Authorship in New Media Art

Digital Prohibition: Piracy and Authorship in New Media Art by Carolyn Guertin:

In the first book to discuss the global politics of creativity and emergent models of authorship in a digital age, Guertin explores the creation of new media forms by artists who use technology to challenge established modes. Redefining authorship within remix culture, the book identifies the potentialities in the social nature of electronic works to foster new creative practices – from sampling to mashups to digital anthropophagy – on a global scale.

Carolyn Guertin holds a dual appointment in digital media — as Assistant Professor and Director of the eCreate Lab at the University of Texas at Arlington and as a member of the graduate faculty at Transart Institute in Berlin, Germany. She was Senior McLuhan Fellow and SSHRC Postdoctoral Fellow at the McLuhan Program in Culture and Technology at the University of Toronto from 2004 to 2006. She is widely published on issues related to cyberfeminism, born-digital arts, and participatory cultures.

Table of Contents

Acknowledgments

Introduction: Ambivalence and Authorship
The Third Space of Authorship
The New Prohibition

Part I: The Aesthetics of Appropriation

  • Interruption (Stoppage + Repetition)
  • Disturbance (Action + Event)
  • Capture/Leakage (Performance + Documentation)
  • Dynamic Data and Augmented Bodies

Part II: Authorship

  • From Karaoke Culture to Vernacular Video
  • ‘Aberrant Decoding’ and Atactical Aesthetics
  • Google Empire: Smart Art, Intelligent Agents From Intelligent Tools to Smart Art
  • Real Time

Part III: Creative Cannibalism and Digital Anthropophagy

  • Digital Anthropophagy
  • Translation: Performing The In Between
  • ‘Productive Mistranslation’ (China and Pakistan)

Conclusion
Notes
Bibliography
Index


May 17, 11:44
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