TBT [Time Based Text]: an experiment(al) (in) writing - Interview with Jaromil by Annet Dekker: Time Based Text can be considered software art, but above all it is a new form of digital poetics. Time Based Text offers a creative, experimental, joyful and critical way of handling digital text by implementing interactivity, new software and network communications. Time Based Text is a type-performance that illustrates feelings.

The emphasis of the software is on the process of writing / typing. TBT is a tool for time-based recording and playback of the process of typing a message, with the accuracy of milliseconds. The basic interface for typing records all typing and plays it back exactly the way the text was typed the first time, including all hesitations and misspellings. Continue reading

3rd ACM International Conference on Digital Interactive Media in Entertainment and Arts (DIMEA 2008) :: September 10-12, 2008 :: Athens Information Technology (AIT), Athens, Greece :: Call for Papers and Artworks / Games / Demos :: Deadline: May 12, 2008.

The advances in computer entertainment, multi-player /online gaming, technology-enabled art, culture and performance have created new forms of entertainment that attract, immerse and absorb their participants. The phenomenal success of such a “culture” to initiate a mass audience in patterns and practices of its own consumption has supported the evolution of an enormously powerful mass entertainment, digital art and performance industry extending deeply into every aspect of our lives, leading further to major societal and business contacting changes. Continue reading

As part of the preparations for 080808 Upstage Festival, there will be Match-making sessions and open training at the following dates and times:

Match-Making Sessions: April 16, 9:00 am UK, 8:00 pm NZ - find your local time here + April 16/17, 10:00 pm (Wednesday) UK, 9:00 am (Thursday) NZ - find your local time here + April 23, 12 noon UK, 11:00 pm NZ - find your local time here. Come to the matchmaking session if you would like to find collaborators for an 080808 performance, or collaborate on someone else’s performance. Continue reading

Nude Studies in Aleatoric Environments, by Pall Thayer, consists of automated nude studies abstracted through geological intervention. Though it was conceived primarily as a gallery installation, here Thayer offers us a “taste” of the full piece. The online version uses 4 locations — Lone Pine, California; College Outpost, Alaska; Isla Barro Colorado, Panama; and Wyandotte Cave, Indiana — and only represents the Americas. The gallery version uses 12 locations and represents the whole globe; it also has audio which could not be included in the online version due to bandwidth constraints. Continue reading

Ursula Endlicher invites you to dance html with her and Nancy Agabian, Robert Appelton, Laura Meyers on Saturday. Join them in Website Impersonations: The Ten Most Visited #1 - www.yahoo.com :: April 5, 2008; 5:30 pm :: Performance Mix Festival at LMCC’s Swing Space, Seaport, New York (210 Front Street corner Beekman).

Website Impersonations: The Ten Most Visited (2006-2008) is a live performance series, which utilizes Web code as choreography. In these performances Endlicher embodies the “character” of a Website - this time she has a cast of performers joining her! - and performs its html code, which is fed in from the Web “on the fly”. Continue reading

THURSDAY CLUB :: Rachel Beth Egenhoefer: Knitting Intangibles :: April 17, 2008; 6-8 pm :: Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross :: FREE, ALL ARE WELCOME.

Rachel Beth Egenhoefer will be presenting work in progress from her residency that explores the motion of knitting and the motion of code. Some of the work includes a knit zoetrope, interactive virtual knitting, knitting with the Nintendo Wii and others. She describes the interactive virtual knitting as demonstrating the motion from the knitting actions are tracked and translated into a visualization of knit code displayed on screen (and eventually on the web). Continue reading

Candy + Code - Rachel Beth Egenhoefer, Barbara Rauch, Nicola Naismith :: March 17, 2008; 6:30 pm :: Institute of Contemporary Arts, The Mall, London.

Rachel Beth Egenhoefer considers her Commodore 64 computer and Fisher Price loom to be defining objects of her childhood. Using knitting and sweets she creates physical representations of digital information and computation and is currently researching the intersection of textiles, technology, and the body. Egenhoefer is supported by the Textile Futures Research Group at the University of the Arts as part of the Distributed South initiative. Continue reading

Lisboa 20 Arte Contemporânea / LX 2.0 Project New Commission: Space Race #1 by André Sier.

Space Race #1 is a 3d simulation in which teams of autonomous elements compete for a mysterious green fuel, that allows for a spaceship, the only possible way of escaping, to take them to another planet, the next level of the game. The team members are always organized and operating according to the team’s internal logic, either it being looking for the spaceship and running to it, gathering fuel and working either together or independently. Each member is characterized by unique features and each group is organized in swarms that perform the required tasks in order to achieve their goal, conquering the spaceship and traveling to another world. Continue reading

Mark Marino announces the launch of a new collaborative blog titled Critical Code Studies. The blog is dedicated to exploring interpretations of computer code within cultural contexts. Rather than focusing primarily on making code function or even the pursuit of “beautiful” code, critical code studies brings in critical theory to examine the ways in which the lines of code reflect, shape, and reproduce our culture including aspects of class, gender, race, sexuality. These criticisms include both the context for the code’s creation and the ways in which it circulates in culture. Rather than one specific lens, CCS names a growing collection of methodologies for making/finding meaning in code. Continue reading