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e-Literature & the Nonhuman [us Milwaukee]

e-Literature & the Nonhuman: Juried Reading at SLSA 2012 :: September 29, 2012; 5:00 pm :: Milwaukee, Wisconsin :: Call for Submissions — Deadline: September 1, 2012.

Literature in the first part of the 21st Century continues to undergo a revolution. Whether playing to the new aesthetic or re-imagining the literary tradition, emerging works are responding to and shaping the changing nature of reading. The Society for Literature Science and the Arts has been a long-standing center for scholarship on electronic literature. Continue reading


Aug 26, 15:29
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dichtung-digital Nr. 41

dichtung-digital Nr. 41 (2012), Scott Rettberg and Patricia Tomaszek (Editorial):

Simon Biggs and Penny Travlou: Distributed Authorship and Creative Communities

An investigation into creativity as driving force for emergent communities marks the research theme of this article that discusses the use of various ethnographic methodologies to gather information on the interpretation and on the performativity of ‘creativity’ by electronic literature practitioners within a transnational and multicultural context. As ELMCIP partners responsible for the ethnographic study of networked creative communities, Biggs and Travlou present their research in progress. Continue reading


May 9, 12:05
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Ben Rubin: A Shakespeare Accelerator [us Troy, NY]

Ben Rubin: A Shakespeare Accelerator: Experiments in Kinetic Language :: until July 28, 2012 :: EMPAC, 110 8th Street, Troy, New York. Continue reading


Apr 1, 17:16
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Live Stage: Purple Blurb [us Cambridge, MA]

Spring 2012 Purple Blurb @ MIT, Cambridge, MA:

Purple Blurb is pleased to announce the start of our Spring Semester series next week with noted sound poet, book artist, and visual writer Steve McCaffery. We hope you will join us for this and our future events, which include a reading by Christian Bök, a symposium on the future of books, and an open mic /open mouse for all forms of digital writing!

March 19 in 6-120, 5:30 pm :: STEVE MCCAFFERY, Author of Carnival, The Black Debt, Seven Pages Missing; Professor and David Gray Chair of Poetry and Letters, SUNY Buffalo. Continue reading


Mar 13, 13:19
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Codings [us NYC]

Codings with Giselle Beiguelman, Commodore, Adam Parrish, Jörg Piringer, Casey Reas, Pall Thayer; curated by Nick Montfort :: until March 30, 2012 :: Pace Digital Gallery, 163 William Street, New York City. Continue reading


Mar 3, 16:44
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Translating E-Literature [fr Saint-Denis]

[Image: Les Belles Infidèles by Ethan Ham, et al] International Conference: Translating E-Literature :: June 12-14, 2012 :: Université Paris 8 Vincennes-Saint-Denis, France :: Call for Papers – Deadline: March 15.

Translating E-Literature is organized by OTNI: Objets textuels non identifiés (UTO: Unidentified Textual Objects), a research project into the evolution of textuality in the digital age. It is supported by the Electronic Literature Organization.

E-literature is an emphatically global phenomenon. Its authors are of many different nationalities. Sometimes they write in a form of global English. Continue reading


Feb 18, 15:41
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RiTa† by Daniel Howe

RiTa† is an easy-to-use natural language library that provides simple tools for experimenting with generative literature. The philosophy behind the API is to be as simple and intuitive as possible, while still providing adequate flexibility for more advanced users. The download comes in two flavors: 1) the ‘core’ package, containing the jar files and documentation, and 2) the ‘TTS’ package that adds text-to-speech support. Additionally, statistical models for tagging, chunking, and parsing are available for more advanced users (see ‘Stat-Models’). RiTa optionally integrates with Processing and is both free and open-source. Continue reading


Nov 15, 20:26
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Live Stage: ELO @ The Kitchen [us NYC]

An Evening with Electronic Literature Organization :: December 13, 2011; 7:00 pm :: The Kitchen, 512 West 19th Street, New York, NY.

Electronic Literature Organization (ELO) presents an evening of multimedia, interactive, performative readings highlighting a broad range of born-digital literary forms, including game-inspired, collaborative, database, film/video, generative, and kinetic image work. The evening’s presentations showcase five projects selected from the second Electronic Literature Collection, published in February 2011, and created by Oni Buchanan, Jhave Johnston, Illya Szilak, Sandy Baldwin, and collaborators — Stephanie Strickland, Cynthia Lawson Jaramillo, and Paul Ryan. Continue reading


Nov 14, 14:28
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Electrifying Literature: Affordances and Constraints [us WV]

2012 Electronic Literature Organization ConferenceElectrifying Literature: Affordances and Constraints :: June 20-23, 2012 :: West Virginia University, Morgantown, WV :: Call for Papers — Deadline: November, 30, 2011.

ELO 2012 Media Arts Show :: June 18-30, 2012 :: Monongalia Arts Center, Morgantown + online :: Call for Works — Deadline: November 30, 2011.

Electronic Literature: Where is It? — Even if nobody could define print literature, everyone knew where to look for it – in libraries and bookshops, at readings, in class, or on the Masterpiece channel. We have not yet created, however, a consensus about where to find electronic literature, or (for that matter) the location of the literary in an emerging digital aesthetic. Continue reading


Oct 22, 14:41
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Live Stage: Purple Blurb [us Cambridge, MA]

Fall 2011 Purple Blurb @ MIT, Cambridge, MA:

Seeing and Writing: Russian Multimedia Poetry by Natalia Fedorova :: October 24, 2011; 5:30 pm :: 14E-310 — Natalia Fedorova’s work includes an interactive novel, Madame Ebaressa and a Butterfly, co-written with Sergeij Kitov; 7, a  hyper fiction piece with three possible endings; Dialogue Between a Policeman and a Ballerina, a video installation with the Factory of Found Clothes; and two poetry films, Snow Queen and Just do not not do it. She is also the founder and curator of VIDE0.txt, a poetry film festival in St-Petersburg, Russia and the co-curator of SELF-ID.com, a digital publishing portal. Continue reading


Oct 22, 14:23
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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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