Berkeley Big Bang 08 :: June 1-3 :: Berkeley, CA

Join us for Berkeley Big Bang 08, three days of new media and art hosted by the Berkeley Art Museum/Pacific Film Archive and the Berkeley Center for New Media, timed to link with 01SJ: A Global Festival of Art on the Edge, a new media art biennial taking place June 4-8 in San Jose. Occurring together for the first time, these two events combine to create one of the nation’s largest gatherings of new media art, a week-long “big bang” of innovation and creativity. The Berkeley Big Bang program will include a two-day symposium on new media, art, science, and the body Continue reading

b.TWEEN08: Where Interactive Ideas are Seeded, Shared and Sold :: June 18-20, 2009 :: Museum of Science and Industry, Manchester, UK :: Call for Submissions - DEADLINE: April 28, 2008; 5:00 pm.

This year’s b.TWEEN forum has a range of creative and commercial opportunities on offer. To win a grand prize of £10,000, industry specialist development workshops and have your work screened in the Interactive Gallery, at the ICA, FACT and on Big Screens across Manchester: get involved. Submissions to be uploaded on the forum’s website. Continue reading

Multiplace - Network Culture Festival - 16 cities / towns in 8 countries + the Internet :: April 26 - May 3, 2008 :: Bahon, Banska Bystrica, Bratislava, Kosice, Nitra, Trnava, Zilina (Slovak Republic), Berlin (Germany), Brno, Prague, Ostrava (Czech Republic), Budapest (Hungary), Glasgow (UK), Novi Sad (Serbia), Reykjavik (Iceland), Wroclaw (Poland).

Multiplace is a network of people and independent organizations interested in the interaction between media, technology, the arts, culture and society. The activities of this network culminate each year in this festival that simultaneously takes place within various independent organizations internationally. Continue reading

3rd ACM International Conference on Digital Interactive Media in Entertainment and Arts (DIMEA 2008) :: September 10-12, 2008 :: Athens Information Technology (AIT), Athens, Greece :: Call for Papers and Artworks / Games / Demos :: Deadline: May 12, 2008.

The advances in computer entertainment, multi-player /online gaming, technology-enabled art, culture and performance have created new forms of entertainment that attract, immerse and absorb their participants. The phenomenal success of such a “culture” to initiate a mass audience in patterns and practices of its own consumption has supported the evolution of an enormously powerful mass entertainment, digital art and performance industry extending deeply into every aspect of our lives, leading further to major societal and business contacting changes. Continue reading

This is just a small section from a long and very interesting interview with the artist. I encourage you to read the whole interview.

“… What are the challenges of curating and exhibiting works of new media art today?

I think that there is presently a very exciting turn happening in new media, with respect to both the art world and the context of “traditional media.” It used to be very important to carve out a separate space in which to show, discuss, and teach new media. Nowadays these spaces are sometimes seen as ghettos, but at the time, they were safe havens championing under-recognized forms. Things are more co-mingled now. Not everyone will agree with me about this, but I think it’s great that some people no longer even know new media when they see it. Continue reading

First Call for Papers :: Fourth International Conference on Multimodality (4-ICOM) :: Singapore :: July 30 - August 1, 2008. The conference theme is From Print to Interactive Digital Media: Technology, Multimodal Representation and Knowledge.

4-ICOM brings together leading international scholars from a range of disciplines (i.e. linguistics, social semiotics, communications & new media, digital media art, history, mathematics, science, computer science and education) to explore the ways in which technology enables and constrains the ways knowledge, social relations and culture are constructed and enacted, with a special focus on interactive digital media. Continue reading

Wrestling with the Blob Beast by Ezra Johnson :: April 17, 2008; 6 - 8 pm :: Dia Art Foundation, 535 West 22nd Street, 5th Floor, New York City.

In Wrestling with the Blob Beast, Johnson presents a collection of sixteen animated screensavers. Derived from painting, they cover a wide field, ranging from formal studies where color is a primary concern, to quiet nature scenes like a campfire at night, to vignettes where figure and abstraction appear to be in active battle, as in several pieces where hands appear to wrestle with paint which morphs into a dog’s face and then reverts to paint strokes. While the wrestling pieces serve as humorous metaphors for the sometimes arduous endeavor of painting, others suggest a more serene relationship, such as Fly, in which a tiny painted airplane inches across a wet, painted sky. Continue reading

Shift Pause Play :: Curator seeks Proposals from African American Artists working in New Media, Video at the Elliot Hall Space for New Media, Tennessee State University, Nashville - space for invention - space for innovation - space for African American contribution - space for technology - space for art.

Shift - 2009: In the past ten years the digital information revolution has shifted the way we go about teaching, learning, making art, doing business, even shopping. Tennessee State University has established a space for thinking, working and serving, (reinforcing the University’s motto) through its Space for New Media, a physical space to contain exhibitions that promote shifts that education can foster — thoughts, ideas, change, all while honoring history. Continue reading

Creative Commons Salon LA: Share, Remix, Reuse - Legally with Rex Bruce, Holly Willis, Jack Lerner, Chris Weisbart and Michael Wilson :: April 16, 2008; 7:30 pm :: Found Gallery, 1903 Hyperion Ave., Los Angeles, CA.

Creative Commons provides free tools that let authors, scientists, artists, and educators easily mark their creative work with the freedoms they want it to carry. You can use CC to change your copyright terms from “All Rights Reserved” to “Some Rights Reserved.” Rex Bruce, director of the Los Angeles Center for Digital Art, will be screening a video he directed that uses public domain imagery from the US Military (also playing at the Centre Pompidou). Continue reading

Visual Foreign Correspondents: Magav in Weimar by Ronen Eidelman - In the old town of Weimar, Ronen Eidelman built an armoured jeep, commonly used by the Israeli border police (magav). A closer look betrays that it is a two-dimensional model, a fake, similar to the historic buildings of Weimar, which through historical manipulations try to recreate the town as the romantic Disneyland of the East, devoid of its questionable World War II past. Like the touristy postcard perfection of Weimar, the ubiquity of security and control mechanisms works as a façade. Both function as cover-ups for what is really underneath…. Continue reading