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Hz Call For Articles

Hz Call For Articles — Deadline: March 10 :: Please send your submissions to hz-journal [at] telia.com.

Online journal Hz is looking for articles on New Media, Sound Art, Electro-Acoustic Music, Virtual World/ Machinima and Social Media. We accept earlier published and unpublished articles in English.

Hz is published by the non-profit organisation Fylkingen in Stockholm. Established in 1933, Fylkingen has been known for introducing yet-to-be-established art forms throughout its history. Nam June Paik, Stockhausen, Cage, Stelarc, etc. have all been introduced to the Swedish audience through Fylkingen. Its members consist of leading composers, musicians, sound artists, dancers, performance artists and video artists in Sweden.


Feb 17, 17:38
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The HTMlles 10: Risky Business [ca Montreal]

The HTMlles 10: Risky BusinessFeminist festival of media arts + digital culture :: November 10-18, 2012 :: :: Call for Proposals — Deadline: April 2.

The 10th edition of the HTMlles will take up the notion of risk. To risk: to gain or to lose (it is uncertain), to expose oneself to a possibility… Risk is a potential. Whether used positively or negatively, the idea of risk implies that of evaluation, action and distribution, and thus, power. While the term “risk” evolved with the development of capitalism, the concept of “risk society” is about twenty years old and has been used by scholars to describe how modern society organizes around the idea of risk, that is, in response to a future (which society should be able to manage). Continue reading


Feb 17, 16:18
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Programmed Visions: Software and Memory

Programmed Visions: Software and Memory by Wendy Hui Kyong Chun, MIT Press:

New media thrives on cycles of obsolescence and renewal: from celebrations of cyber-everything to Y2K, from the dot-com bust to the next big things – mobile mobs, Web 3.0, cloud computing. In Programmed Visions, Wendy Hui Kyong Chun argues that these cycles result in part from the ways in which new media encapsulates a logic of programmability. New media proliferates “programmed visions,” which seek to shape and predict – even embody – a future based on past data. These programmed visions have also made computers, based on metaphor, metaphors for metaphor itself, for a general logic of substitutability.

Chun approaches the concept of programmability through the surprising materialization of software as a “thing” in its own right, tracing the hardening of programming into software and of memory into storage. Continue reading


Jan 28, 18:35
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[nettime] Still There by Olia Lialina

On nettime olia lialina wrote: Dear nettimers,

I thought I should post the intro to my Still There research here. There must be still people on the list who remember what I remember, or remember it differently.

In September 1996, I came to Rotterdam to participate in the Dutch Electronic Art Festival – not as an artist yet but as a film curator, or, to say it better, as a film curator from Moscow who made a website for a film club. For many people, the mid-90s were all about going online, making websites, travelling to the East and to the West.[1]

It was my very first media art event. Continue reading


Jan 21, 18:28
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Touch and Go: Call for Papers

Touch and Go, Leonardo Electronic Almanac :: Call for Papers – Deadline: February 12, 2012.

Leonardo Electronic Almanac in collaboration with Watermans and Goldsmiths College in occasion of the Watermans’ International Festival of Digital Art, 2012 announces a special issue titled: Touch and Go.

The Watermans’ International Festival of Digital Art, 2012, will coincide with the Olympics and Paralympics in London, and Watermans is pleased to host a Festival of ground-breaking installations exploring interactivity and participation in New Media and Digital Art. Continue reading


Jan 14, 16:20
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[nettime] The Medium is Not the Message

The Medium is Not the Message: On the Future of New Media Studies by Florian Kramer [to Graduates of The Media Department of the Universiteit van Amsterdam, September 2011]:

Dear graduates,

Let me make a wild guess: Perhaps it has become more difficult for you to say what media are – and what media studies are – than a few years ago when you began to study them. A paradox of “media” is that, in our time, they seem to be everywhere at first glance yet nowhere when it comes to critical study. Every person on the street would agree that our everyday life is permeated by electronic media, the Internet, mobile phones, electronic gadgets. Everyone is aware of their economic impact. Even the link between these communication technologies to cultural and social movements is not esoteric anymore, in the year after WikiLeaks and two days after the Pirate Party won nine percent at the state elections in Berlin. Continue reading


Jan 11, 18:41
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Second Nature: Origins and Originality in Art, Science, and New Media

Second Nature: Origins and Originality in Art, Science, and New Media, Rolf Hughes, Jenny Sundén (eds.), Axl Books:

With the practices of art, science and technology increasingly converging, the concepts of origins and originality raise some of the most pressing questions in contemporary research, including issues of agency and accountability, hybridity and identity, intellectual property and oeuvre, intention and authority. These, and a constellation of related philosophical, economic, aesthetic, legislative and political concerns, are today subject to rapid reconfiguration due to the current pace of technological and theoretical change. Second Nature accordingly brings into a productive, interdisciplinary dialogue scholars working at the intersections of art, science and technology. Continue reading


Jan 11, 17:56
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The Mobile Audience: Media Art And Mobile Technologies

The Mobile Audience: Media Art And Mobile Technologies, edited by Martin Rieser, with an Introduction by Howard Rheingold:

The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design. Continue reading


Jan 11, 16:03
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Bivouac Projects: New Media, Film, And Video

Bivouac Projects: New Media, Film, And Video :: January 19, 2011 :: 701 Center for Contemporary Art, 701 Whaley Street, Columbia, South Carolina :: Call for Artists Working at the Intersection of Art and Technology – Deadline: December 30, 2011. Continue reading


Dec 11, 16:42
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Live Stage: Transmittance #2 [si online + Ljubljana]

Transmittance #2 – Telepresence Performance :: December 13, 2011; 8:00 pm (CET) :: http://transmittance.si ( Online audience can watch and interact with the performance live using a recent version of popular browser like Firefox or Chrome) & Tobacco 001 Cultural Centre, Ljubljana, Slovenia.

Transmittance explores collaboration which is local, global, networked and broadcasted. It involves an artistic group of performers, visual artists, musicians and computer programmers to research performative possibilities of streaming, broadcasting and telepresence forging new types of performance and audience. With focus on critical and socially-aware artistic languages this work is based on asking questions about body, self and society – opening non-dualistic perspectives. Continue reading


Dec 11, 15:45
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1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
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