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Live Stage: Ephemeral City [ca Montréal]

Ephemeral City: Speakers: Kora Van den Bulcke and Thomas Soetens (Workspace Unlimited), Jason Crow, M.Arch Ph.D. candidate, Department of Architecture, McGill University; Direction: Chris Salter :: December 3, 2009; 6:00 – 8:00 pm :: CCA/Centre Canadien d’Architecture, Maison Shaughnessy. 1920, rue Baile, Montréal, Québec, Canada.

What can games and gaming experience reveal about the city? How does play in public spaces differ from solitary play. What new aesthetic social practices might arise as a result of the mixing between the physical urban space and the digital realm. This forum will feature research and artistic projects that take gaming beyond the single computer screen and into the urban realm, both real and imaginary. Continue reading


Dec 3, 09:01
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Live Stage: Facebook Re-enactments [us NYC]

Facebook Re-enactments by Ursula Endlicher (part of Levels of Undo) :: September 9 – October 30, 2009 :: Opening: September 9; 6:00 -8:00 pm :: Location One, 26 Greene Street, New York City.

Facebook Re-enactments is a video-performance piece based on this year’s Location One Virtual Residency (May 15 – August 15, 2009) artists names on Facebook: Jessica Curry, Ursula Endlicher, Narinda Reeders, and Ben Woodeson.

Responding to Facebook’s “logic” and “environment”, social behavior, and the intrinsic habits of its users — plus personal experiences with name misspellings triggering mix-ups and false links — I was inspired to question online identity once again. (After the high of net art questioning “ID” online in the late 1990s it seems interesting to me that it is still very much a topic). So I searched on these (our) four names — to possibly find out more about my residency mates — and used the returned “identities” and images for each name search as scenarios to be restaged and reenacted in RL. Continue reading


Sep 8, 10:02
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“The City is Creative” by Michelle Teran

In The City is Creative — by Michelle Teran — everyday performative acts, as depicted on YouTube videos, are located and reenacted in the city where they took place.

People meet in different ways now, even in the most strangest manner. Imagine flying over a city and witnessing all the things that are taking place there. Connect to Google Earth and find Eindhoven, a small city in The Netherlands. As you get closer, a number of YouTube videos appear on top of the city. As you bring up each video you start to experience what is taking place there. Continue reading


Jul 26, 17:50
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Live Stage: The Torture Memos [secondlife Second Life]

MGandhi Performs the Torture Memos :: July 4, 2009; 9:00 am – 5:00 pm [PST] :: Second Life: Odyssey Art and Performance.

MGandhi Chakrabarti (aka Joseph DeLappe) presents a performative reading in Second Life of the recently released and now infamous Bush-era Torture Memos. MGandhi will read the memos verbatim, all 121 pages, from his jail cell in Second Life, beginning at 9am SLT.

MGandhi is presently imprisoned in a reproduction of the Yeravda Prison in SL for a 9-month durational reenactment of Gandhi’s 1930 post-Salt March jail sentence.  Continue reading


Jul 4, 09:17
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Re:Parallax: Call for Participation

Re:Parallax — Call for Participation: No professional performers, but YOU as the center of attention in Re:Parallax. Become part of the re-enactment of the performance Parallax by Zhana Ivanova. Take your picture in a professionally lit photo set according to the artists directions. Every photo is one image, one frame in a growing online imagebank. Together these pictures form a stop-motion film, which will be shown in the exhibition space. Re:Parallax is part of the exhibition WatSpinoza?. Continue reading


Jun 2, 13:53
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“Without Sun” by Brody Condon

Re-creation of Without Sun :: Call for Dancer and Actor.

Without Sun is a collection of found performance documentation from the internet which creates a 15 minute pseudo-narrative focused on the exterior surface of the “projection of self” into visionary worlds. Named after the classic Chris Marker video Sans Soliel, the work combines footage of several individuals on a psychedelic substance.

Performers will re-create Without Sun at Machine Project. Auditions will take place on June 7th in the evening. Continue reading


May 25, 11:36
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Live Stage: RE:akt! [si Ljubljana]

RE:akt! Reconstruction, Re-enactment, Re-reporting with Lucas Bambozzi, Vaginal Davis, Janez Jan a, Janez Jan a, Janez Jan a, Eva and Franco Mattes (aka 0100101110101101.ORG), SilentCell Network (Mare Bulc, Janez Jan a, Bojana Kunst, Igor Stromajer); curated by Domenico Quaranta :: March 25 – April 17, 2009 :: Book Launch and Opening: March 25, 2009; 7:00 – 9:00 pm :: Galerija kuc, Stari trg 21, Ljubljana, Slovenia.

During recent years the term re-enactment and the practices it refers to have enjoyed increasing success in the artistic context. On one hand, the success of re-enactment appears to be connected to a parallel, vigorous return to performance art, both as a genre practiced by the new generations, and as an artistic practice with its own historicization. Continue reading


Mar 20, 15:46
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Live Stage: Theater of Code [us NYC]

Theater of Code — with Ursula Endlicher, Adrianne Wortzel, MTAA; Curated by Christiane Paul :: March 3, 2009; 7:30 pm :: Light Industry, 220 36th Street, 5th Floor, Brooklyn, New York.

Theater of Code will present three performance / interventions that explore how computer code, scripting language, and software applications relate to the movement of bodies and the staging and choreography of our lives.

Adrianne Wortzel’s A Re-enactment of The Battle of the Pyramids is a performance installation of reconfigured robotic toys performing military maneuvers in rigid choreographed formations. Continue reading


Feb 16, 18:32
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Live Stage: Lebensraum / Living Space [uk London]

Lebensraum / Living Space — a public performance :: January 18, 2009; 2:00 – 4:00 pm :: Starting from and returning to Project Space 176, 176 Prince of Wales Road, Kentish Town, London, we will be walking along Prince of Wales Road.

Lebensraum is a series of movies dealing with ‘living space’. Through case studies of specific places and historical events, the filmmaking process is used as an intervention. A dynamic relationship is established between the spaces of: 1) research (scriptwriting, archive work); 2) staging (performance, re-enactment); and 3) presentation (screening, discussion). Continue reading


Jan 9, 13:55
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Review of “Why Some Dolls Are Bad”

p_2163.jpg“[…] The idea of this work more than its execution is the compelling element. Anyone who has clipped articles out of a newspaper, saved snippets of poetry or edited together their own home videos has experienced the process that is re-created in “Dolls”. But (Kate) Armstrong cleverly nurtures a circumstance of wry tension that illustrates the fraying tether between traditional literary and neo-digital expression. The same page never appears twice but the user can capture and save a favorite page. This is an intriguing re-enactment of the experience of reading a narrative book where particular passages haunt the imagination and are saved to our cognitive hard drive. Continue reading


Apr 16, 17:18
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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
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