You don’t need to be a videogame fan or being a teenager in the seventies / eighties to know videogame classics like Space Invaders, Pacman or Tetris. Their iconic power is still intact in the public imagination, also thanks to many reinterpretations and updates. Their patterns are often used by game artists as metaphors to create new connected sense: Mario Bros. can be restyled with a new graphic, so you can take your cue from it to discuss immigrant labor conditions, Space Invaders can be used to represent the never ending battle among Linux and the proprietary operating systems and so on. Sometimes the action’s target is the algorithm itself. Continue reading

Creative Commons Salon LA: Share, Remix, Reuse - Legally with Rex Bruce, Holly Willis, Jack Lerner, Chris Weisbart and Michael Wilson :: April 16, 2008; 7:30 pm :: Found Gallery, 1903 Hyperion Ave., Los Angeles, CA.

Creative Commons provides free tools that let authors, scientists, artists, and educators easily mark their creative work with the freedoms they want it to carry. You can use CC to change your copyright terms from “All Rights Reserved” to “Some Rights Reserved.” Rex Bruce, director of the Los Angeles Center for Digital Art, will be screening a video he directed that uses public domain imagery from the US Military (also playing at the Centre Pompidou). Continue reading

From Cinema to Machinima — Software, Database, and the Moving Image - Panel Discussion with Lynn Hershman Leeson, Christiane Paul (Moderators), Henrik Bennetsen, Char Davies, Scott Kildall and Second Front, Howard Rheingold (via Second Life), Scott Snibbe, and Camille Utterback :: April 14, 2008; 7:30 - 9:30 pm :: San Francisco Art Institute, Lecture Hall, 800 Chestnut Street campus :: Free and open to the public.

A panel discussion and virtual performance event, From Cinema to Machinima will explore the many ways in which the digital medium has reconfigured, even transformed, the moving image and thereby redefined concepts of cinema. Continue reading

THURSDAY CLUB :: Camille Baker & Marilene Oliver - MINDTouch + Making DICOM Dance - The Digitised Body as a site for performing subjectivity :: May 8, 2008; 6-8 pm :: Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross :: FREE, ALL ARE WELCOME.

MINDTouch explores ideas of non-verbal transference, telepathic collaboration, and the participant as performer, using biofeedback and mobile phone technology under meta-goals of studying “liveness” within mobile networked environments. MINDTouch involves creating a mobile networked performance that utilizes a database of streamed and/or archived video-clips created by video-enabled mobile phones, to then be retrieved, streamed and remixed during (a) live visuals performance(s). Continue reading

[Image: Robert Duffy] Leonardo Day at Berkeley Big Bang 2008: Remix: From Science to Art and Back in the Digital Age :: June 3, 2008 :: UC Berkeley, Berkeley, CA.

Join us in Berkeley for a three-day symposium and festival of new media and art hosted by the Berkeley Art Museum and Pacific Film Archive and the Berkeley Center for New Media. This event is timed to link with 01SJ: A Global Festival of Art on the Edge, so come spend the week in the Bay Area and be part of the biggest explosion of new media art in the nation. [On June 2, Embodied Media, the first of a two-part symposium.] June 3: Continue reading

Migrating Reality :: April 4-5, 2008 :: Gallerie der Kuenste, Berlin. Migrating is reality. Reality is migrating. Migrating Reality is a live platform to discuss the mixing and remixing of art forms and digital data flows within the context of the current worldwide reality of migration.

Since March 1, in cooperation with the online zine balsas.cc for media and technology, we have focused on the migration between reality, media, technologies, art, spaces, disciplines, politics, and networks. Migration interests us in cultural and technological aspects as well as in aspects of the movement of different objects and subjects. Continue reading

SWAMP Splash: about the deluge of information rising up through the grass-roots - Video Vortex Workshop by Furtherfield.org :: February 8, 2008 :: 12:00 pm and 3:00 pm :: Nederlands Instituut voor Mediakunst, Keizersgracht 264, 1016 EV Amsterdam :: For reservations (free) mail to: malka[at]nimk.nl :: Participants will need: laptops with browser, wireless capability.

Marc Garrett and Ruth Catlow from Furtherfield.org will demo VisitorsStudio and introduce participants to its (easy-to-use) tool-set and features. Using your own files (bring jpg, mp3, swf, flv under 200k) or harvesting files from the net, you can work with others to create and distribute mixes and remixes. Continue reading

Networked_Music_Review Commission: You’re Not My Father, by Paul Slocum, [Requires Quicktime plugin] is composed of a sequence of recreations of a 10 second scene from the television show Full House, overlaid with sound loops from the scene’s original music. The crews who re-shot the scene were recruited through Internet message boards and Craigslist; each was paid $150. Instructions for shooting the scene and delivering the footage were issued to the crews. To-date, the project includes participants from Austin, Cincinnati, Chicago, Dallas, Denton, London, and San Francisco. Continue reading

Diary of a Star is a critical take on blogging that appropriates selections from The Andy Warhol Diaries. Blogging is an online activity blurring the line of the private and public, something Warhol was interested in doing in all of his work … The format of the blog is similar to diary entries, only on the Web the content is exposed to an unknown public. This uncertainty places the blogger in an odd place where the writing can at times be intimate along the lines of a personal journal while functioning in a public arena; because bloggers are implicitly aware of this, the entries can be considered tainted. And here the private public dichotomy that Andy Warhol was so interested in exploring becomes exposed. Continue reading

Video creators, scholars, activists, policy makers, technologists, and entrepreneurs will gather this February at the USC School of Cinematic Arts for 24/7: A DIY Video Summit, the first-of-its-kind international event focused on the fate and future of visual media in the 21st century.

The summit, which takes place from February 8 - 10, at the USC University Park Campus in Los Angeles, will explore the incredible dynamic at play as millions of people flock to online video sharing sites like YouTube, Revver, imeem, Stage6 and Eyespot where they watch and contribute video content around the clock, 24/7. Webcast [Quicktime]; SLURL. More >> Continue reading