Digital and organic are never antonyms at Interferenze, the annual festival of new arts taking place in San Martino Valle Caudina (Italy). In the middle of a beautiful chestnut trees forest the 2006 edition lead the young local enthusiastic curator crew to succeed in integrating digital culture with their own cultural roots. ‘Naturalis Electronica’ was the leit motif of three days of electronic art, celebrated in a friendly atmosphere with no barriers between artists and public, sharing almost the same spaces, perfectly mixing the local environment and food tradition with the artistic research on the edge of digital and organic. The curators’ commitment to this philosophy is almost total and it was seamlessly implemented in the festival program attracting the usual mass of thousands of local curious people plus experts arrived from all over the nation attending the event. Amongst the most popular one there were the workshops of the solar-powered micro-robots by Ralf Schreiber: they were unofficially repeated every day after the first crowded one. Schreiber scattered also some of his chirping electronic lifeforms around the forest as an installation (‘Living Particles’), forcing the hanging around crowds to always wonder themselves if the sounds they heard was real or virtual.