Live Audiovisuals by Amy Alexander and Nick Collins
A chapter on Live Audiovisuals written by Nick Collins and Amy Alexander appears in the recently released book, The Cambridge Companion to Electronic Music, edited by Nick Collins and Julio d’Escrivan.
The chapter discusses histories of audiovisual performance, including its ancestry in color organs, visual music filmmaking, light shows, cognitive science, and more - as well as various approaches to current practice including VJ’ing, live cinema, and digital media art performance. This one is not available online, but the book is available from the usual sources.
The Cambridge Companion to Electronic Music includes original contributions from many international artists, including Karlheinz Stockhausen and Max Mathews. Chapters introduce the reader to the history and practices of electronic music, including electroacoustic music composition, perceptual aspects and sound synthesis. Considers recent contemporary trends and promotes new movements in this continuously evolving field.




















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