Networked_Music_Review
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Storage in Collaborative Networked Art

networked.jpgRead | Write Storage in Collaborative Networked Art by Jason Freeman — in Networked: a (networked_book) about (networked_art):

ABSTRACT: This chapter explores the role of storage in media art and, more specifically, its role in collaborative creativity within the field of networked music. Through a series of paired analyses of works that differentially emphasize transmission and storage or which employ different approaches to storage, the chapter discusses different opportunities, challenges, and issues related to storage in collaborative, networked art. Music by the Rova Saxophone Quartet and by Nick Collins frames a discussion of composition and improvisation; two works by The Hub initiate an analysis of the influence of technology on network design and on collaborative models of shared material and shared control; broadcast works by Max Neuhaus introduce the concept of active storage systems; the online sites WebDrum and Jamglue raise questions about network latency and the persistency of storage; and Bicycle Built for 2,000 and Graph Theory manipulate the level of awareness of storage mechanisms by various participants.


Jul 31, 2009
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Networked: a (networked_book) about (networked_art)

networked.jpgNetworked: a (networked_book) about (networked_art) INVITES YOU TO PARTICIPATE: Two years in the making, Networked: a (networked_book) about (networked_art) is now open for comments, revisions, and translations. You may also submit a chapter for consideration.

active, aethetics, aggregators, authenticity, authorship, BEN FRY, BEN RUBIN, BURAK ARIKAN, collaborative, communication, data, data mining, digital traces, distributed, DIY, EDUARDO NAVAS, everyday life, flow, GOLAN LEVIN, identity, improvisation, Internet, JANET CARDIFF, JASON FREEMAN, JODI.ORG, JONATHAN HARRIS, latency, lifelogging, lifetracing, MANIK, mapping, MARK AMERIKA, MARK HANSEN, MARTIN WATTENBERG, MAX NEUHAUS, Mechanical Turk, mediation, memory, music, narrative, NastyNets, NATHANIEL STERN, net art, network, NICK KNOUF, nonlinear, OLIVER LARIC, participation, performative, persistance, PETER TRAUB, platform, postmodernism, presentational, privacy, prosumer, prosurfer, ranking, realism, reality, real-time, relational, remix, representation, research, RYBN, SCARLET ELECTRIC, SCOTT KILDALL, SCOTT RETTBERG, search engine, self, self-exposure, SHIFTSPACE.ORG, social networks, software, sousveillance, STEVE LAMBERT, storage, surveillance, tactical media, telepresence, THE HUB, THEY RULE, TrackMeNot, transmission, TV, user-generated, visualization, web 2.0, webcam, widget, Wikipedia Art, YES MEN. Continue reading


Jul 31, 2009
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Call: STRP 2010 [ne Eindhoven]

strp.jpgSTRP 2010: Call for Projects :: Deadline: October 1, 2009.

STRP is pleased to announce that the fourth edition of the STRP festival will take place in April 2010 at the Klokgebouw in Eindhoven, The Netherlands. STRP is searching for exceptional work for presentation at the STRP festival, an international festival of art and technology with approximately 20.000 visitors. Previous editions featured artworks from Granular Synthesis, Marnix de Nijs, Daan Roosegaarde, Ken Rinaldo and top acts like Aphex Twin, The Chemical Brothers, Laurie Anderson, Trentemøller and Laurent Garnier. Creators of interactive art, robotics, games, visual projects, light art, and great experiences are invited to submit their work for possible inclusion in the festival. Continue reading


Jul 31, 2009
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Live Stage: Noise=Noise [uk London]

Curated by Ryan Jordan, NOISE=NOISE presents The Basement Series every Wednesday throughout August :: The Foundry, 86 Great Eastern St, London EC2A :: Starts August 5, 2009 7:00 p.m. :: free!!!

Noise=Noise, Goldsmiths London, 18 March 2009 from macumbista on Vimeo.

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Jul 31, 2009
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CALL: Papers on Improvisation for LMJ

leo.jpgThe next issue of Leonardo Music Journal is on improvisation :: LMJ welcome papers on aspects of improvisation in music, art and the general realm of decision-making – especially texts addressing the interplay of improvisation and technology :: Deadline rough proposal and queries October 15, 2009; finished articles January 1, 2010: Address all inquiries to Nicolas Collins, Editor-in-Chief, at ncollins [at] saic.edu.

Improvisation gas been a critical component in many forms of music around the world throughout most of history, and is an essential quality of human intelligence that extends far beyond the borders of art. It remains, nonetheless, a controversial subject in contemporary Western music: detested and denounced by such titans as Pierre Boulez and John Cage, embraced with equal fervor by others, and seriously misunderstood by many. For Volume 20 of the Leonardo Music Journal papers are welcomed on aspects of improvisation in music, art and the general realm of decision-making – especially texts addressing the interplay of improvisation and technology.


Jul 31, 2009
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Practice, Participation & Method in Live Electronic Music [uk London]

speakers.jpgOutside the Box: Practice, Participation & Method in Live Electronic Music Conference :: November 16, 2009 :: City University London :: Call for Papers — Deadline: August 30, 2009.

Outside the Box is a one-day postgraduate conference at City University London, featuring paper sessions, a workshop, keynote speaker Leigh Landy, and an evening concert of live electronic music. Postgraduate researchers working in live electronics, from any perspective, are encouraged to submit abstracts for 20 minute presentations (see below for details). Continue reading


Jul 30, 2009
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Live Stage: Soundwalks [us Chicago]

soundwalk.jpgWorld Listening Project presents Soundwalks in East Garfield Park with Dan Godston and Fereshte Toosi :: August 1, 2009; 10:00 am – 1:00 pm :: Chicago Center for Green Technology, 445 N. Sacramento Blvd., Chicago, IL.

During a soundwalk, people explore their soundscape, using a score as a guide. We meet at CCGT at 10 a.m. for a brief tour of the premises, then the soundwalk starts. This soundwalk, which is being co-organized by WLP and CCGT, happens inside and outside the building — through the Resource Center, on the CCGT roof, past the rain cisterns, through the “Elementhouse” designed by the University of Illinois at Urbana-Champaign for the Solar Decathlon, to the eastern part of the property where they keep the solar berm and green roof test plots, and along a path in the field to the south of the CCGT building. Continue reading


Jul 30, 2009
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Live Stage: Interactive Lecture Series [us Los Angeles]

1248298190image_web.jpgOJO Presents Interactive Lecture SeriesAn Engagement Party Event :: August 6, 2009; 7:00 – 10:00 pm :: MOCA, Ahmanson Auditorium, 250 South Grand Avenue, Los Angeles, CA.

Interactive Lecture Series will consist of a series of lectures, each of which will act as a musical score, with the speaker, audience, space, and environment functioning as compositional elements. As talks are presented on various topics, members of OJO will take up position beside the lectern as the house band, using audio trickery to affect the audience’s reception of live speech. Focusing on specific words and phrases in order to induce listeners to react in all sorts of ways, their interventions should lead to chaotic and memorable lectures. Continue reading


Jul 30, 2009
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Gil Scott-Heron’s “Whitey on the Moon”

[youtube]http://www.youtube.com/watch?v=PtBy_ppG4hY&feature=player_embedded[/youtube]
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Jul 30, 2009
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Live Stage: Sensory Response Systems [de Berlin]

ryan2.jpgSensory Response Systems :: Ryan Jordan presents and performs his Sensory Response Systems as part of a micro_residency at General Public, Schanhauser Allee 167c, Berlin, Germany :: July 29 – August 1.

Sensory Response Systems is an exploration into audio-visual performance using an array of sensors responsive to physical movements in order to control the audio-visual output in programmes such as pd and Max/MSP. It also looks at reshaping and replicating the body through the use of fabric, textiles and technology. We draw from inspiration and definition through reference to embodiment, phenomenology, post-modernism, post-humanism, performance, physical computing and computer sound. Continue reading


Jul 29, 2009
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Interviews

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Robin Meier, Ali Momeni and the sound of insects

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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
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Net_Music_Weekly

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