Networked_Music_Review
Scroll to prev post Scroll to next post

Live Stage: Art.on.Wires [no Oslo]

art.jpgArt.on.Wires: A Laboratory for Live and Interactive Art & Technology :: May 10 – 13, 2010; 10:00 am – 11:00 pm :: Kanonhallen, Oslo, Norway.

Art.on.Wires is an open laboratory for live and interactive art where researchers, engineers and practitioners from various fields collaborate to explore and create a new generation of media technology for artistic performances and mixed-reality spaces.

We invite choreographers, dancers, singers, actors, musicians, composers, DJs, VJs, visual artists, programmers, set designers, light engineers, sound engineers and interested researchers to join our laboratory. The four-day event will feature workshops on artistic programming tools and interactive technologies, dorkbot talks and experimental performances. Art.on.Wires takes place in an old industry hall which will be equipped with interactive technologies to serve as a space for artistic and scientific experimentation. Continue reading


Apr 30, 2010
Comments (0)

Upgrade International 2010: Soft Borders [br Sao Paulo]

DEADLINE EXTENDED Upgrade International 2010: Soft Borders :: October 18-21, 2010 :: Sao Paulo, Brazil :: Call for Participation — Deadline: May 7, 2010.

We invite proposals of papers, posters and workshops for Soft Borders – the 4th Upgrade! International Conference & Festival on New Media Art, that will take place in Sao Paulo, Brazil, from Oct 18th to 21st.

All the information about submitting proposals and the event can be also found online at the conference official website.

A brief summary only is required for the selection process. This should be submitted electronically via the online submission system, by 30/April/2010. You will be asked to create an account with the system before uploading your summary. Continue reading


Apr 28, 2010
Comments (0)

Live Stage: Sound & Television [dk Copenhagen]

soundand.jpgSound & Television: Transmission Art Series :: Six Tuesday evenings; April 27 – June 15, 2010; 9:30 – 10:00 pm (see schedule below) :: on “i mellemtiden” (“meanwhile”), tv-tv, Copenhagen.

From glitches and disrupted audiovisual flows to scrambled signals and noise via avant-retard aesthetics and live montage — Sound & Television offers you artistic re-imaginations of the future (and past) of live digital-TV broadcasting. As a Transmission Art series, Sound & Television invites artists who work with the materiality of audiovisual flows to realise performances exploring the performativity of television: not live on TV, but live as TV. Continue reading


Apr 26, 2010
Comments (0)

Live Stage: Steim Concert [us NYC]

steim_1_450.jpgSTEIM Concert :: May 8, 2010; 7:30 pm :: Electronic Music Lab, Japan Society, 333 East 47th Street New York, NY.

STEIM, the Amsterdam-based music laboratory of experiments in electronic sound and instruments, lands in New Amsterdam!
STEIM’s Artistic Director, Takuro Mizuta Lippit, has assembled a lineup of groundbreaking international artists from its roster, including:

• Yutaka Makino (Japan/Germany): A composer and technical wizard who has pioneered the blending of music, sculpture and architecture

• ABATTOIR: A duo comprised of Audrey Chen (U.S.) — vocalist, cellist and analog electronics musician/composer and Robert van Heumen(Netherlands)—a composer and tinkerer equally at home with a keyboard or a joystick Continue reading


Apr 26, 2010
Comments (0)

Live Stage: SLorktastic Chamber Music 2010 [us Stanford, CA]

n16268980942_54111.jpgSLorktastic Chamber Music 2010 :: April 29, 2010; 8:00 pm :: CCRMA Stage, Stanford University, 660 Lomita Dr., Stanford, CA.

The Stanford Laptop Orchestra (SLOrk) presents all new works for electronic chamber music, by members of the SLOrk ensemble and seminar and featuring special guest Jordan Rudess of Dream Theatre. You are cordially invited to join us in exploring new sonic spaces + musical places with performances crafted for humans, laptops, iPads, and hemispherical speaker arrays!

For details go here or visit Stanford Laptop Orchestra on Twitter or Facebook.


Apr 26, 2010
Comments (0)

Live Stage: Art Kill Art Label Night [de Berlin]

nk.jpgArt Kill Art Label Night with Repulsive Society / Presbyacusis 2 2 20 000 HZ; Yann Leguay / Wireless; Valentina Vuksic / Trippin Through Runtime; Schwarzes Loch (silent loop streaming) by Carl Y :: May 8, 2010; 7:00 – 11:55 pm :: NK PROJEKT BERLIN, Elsenstrasse 52, Neukölln, Berlin, Germany.

Repulsive Society / Presbyacusis 2 2 20 000 HZ is a sonic performance based on the frequencies commonly used by sonic weaponry technology (LRAD, Mosquito, Sonic Nausea, Mind Molester), the performance explores the outer limits of human hearing and is not recommended for children, pregnant women and people with heart disease. You have been warned. Continue reading


Apr 26, 2010
Comments (0)

Music of the Nano-Spheres: On Sonification

nano.jpgFrom Nano-Wiki :: Music of the Nano-Spheres by Roger Malina, April 15, 2010:

There is a several thousand year history of associating music with cosmic phenomena, the famous “Music of the Spheres” created from the regularities in the astronomical universe. Even though of course there is generally no sound in outer space, because the conditions of pressure and density to allow acoustic waves are very rare.

The same urge motivates artists and scientists interested in sonifying

Sound Artist Peter Gena has a large collection of DNA Music and other sonifications of molecular structures: http://www.petergena.com/DNAmus.html
Continue reading


Apr 22, 2010
Comments (0)

Live Stage: Sirbed: Aural Inversions of Debris [us NYC]

sirbedimage.jpgSirbed: Aural Inversions of Debris:: April 22, 2010; 6:30 – 8:30 p.m. :: P.P.O.W Gallery, 511 West 25th Street Room 301, New York, NY.

This one-night exhibition presents three newly commissioned experimental sound compositions by artists from across the country. The two-hour exhibition, occurring two days before the closing of P.P.O.W’s concurrent three artist show Debris, seeks to invert the ways that the viewer traditionally perceives an exhibition through positing sonic manipulations of its visual, written, and social material. The three new works will be presented to viewers in the darkened gallery-turned-theater, synthesized under the dislocating darkness, an additional empirical inversion and mediator between the visual gallery experience and the reconfiguration of this experience through sound. Continue reading


Apr 22, 2010
Comments (0)

Live Stage: dj sniff [us Brooklyn, NY]

Pratt Digital Art Lecture Series: dj sniff (Takuro Mizuta Lippit) + STEIM: Electronic Music Lab :: April 29, 2010; 12:30 – 2:00 pm :: Digital Arts Lecture Hall E2, ARC Building, Pratt Institute, 200 Willoughby Ave., Brooklyn, NY.

Continue reading


Apr 22, 2010
Comments (0)

Cornelius Cardew Exhibition [pt Porto]

1271356164image_web.jpgCornelius Cardew and the freedom of listening :: May 8 – June 25, 2010 :: Culturgest Porto Edifício da Caixa Geral de Depósitos, Avenida dos Aliados, 104, 4000-065 Porto, Portugal.

Culturgest is pleased to announce Cornelius Cardew and the freedom of listening, an exhibition and program of events curated by Dean Inkster, Jean-Jacques Palix, Lore Gablier, and Pierre Bal-Blanc.

The English composer Cornelius Cardew (1936-1981) is undoubtedly one of the major composers to have emerged in the second half of the twentieth century. His radical approach to composition and his political reflection on the status of music making led him, in the late sixties, to instigate one of the most important attempts to establish the democratic claims of avant-garde culture. Continue reading


Apr 22, 2010
Comments (0)

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works