Networked_Music_Review
Scroll to prev post Scroll to next post

MutaMorphosis: Tribute to Uncertainty: Call

fb_icon0.jpgMutaMorphosis: Tribute to Uncertainty :: International Conference :: December 6-8, 2012, Prague, Czech Republic :: Reminder of the Call for Abstracts :: We invite you to respond to the Tribute to Uncertainty theme and/or to address one of the 21 streams of interest led by 28 conference Attractors :: Do you have something original to say about our world that is increasingly fuzzy, unstable and chaotic? Are you interested in how crisis, uncertainty and complexity can come together in order to question the known as well as predict and/or model yet unknown? Do you want to share projects intrinsically linking domains of scientific, artistic and technological research and creativity that can be introduced as relevant tools for better understanding of our common future? Deadline: July 1, 2012 :: Continue reading


Jun 27, 2012
Comments (0)

Live Stage: Buchla and Modular Synth Day [us NYC]

images.jpegJune 28, 2012 is Buchla and Modular Synth Madness Day :: Starting at 3:00 p.m., this will be the opportunity to get your hands on some of these devices, and talk to makers & players :: Plus 5hrs of performances by Alessandro Cortini (Los Angeles), Carlos Giffoni (NYC), Mark Verbos (NYC), Xeno and Oaklander (NYC), and not-to-be-missed Loud Objects (NYC):: All taking place at Southstreet Seaport, New York City.

image: Buchla 100

This is all part of our 35th Anniversary Events, and the River To River Festival! Each summer, the Festival activates more than 25 indoor and outdoor locations in the neighborhood with an unparalleled collection of music, dance, theater, visual art, film, and participatory experiences by renowned and breakout artists from New York City and beyond.


Jun 27, 2012
Comments (0)

Live Stage: Beam Festival [uk Uxbridge, London]

performances.jpgBEAM Festival :: June 22 – June 24, 2012 :: Brunel University, Uxbridge, London :: Day Passes £12 Fri / £20 Sat / £12 Sun :: Weekend Festival Pass £35 (with Symposium £50) :: Ticket offers and concs available

BEAM launches at 1pm on Friday 22 June with the BEAM Symposium and runs through to 4pm on Sunday 24 June. Over the weekend we have an amazing programme of performances, installations, workshops and demonstrations from an array of international artists whose work is united by their interest in the physical exploration of electronic music and sound creation.

Continue reading


Jun 21, 2012
Comments (0)

Live Stage: Sound Full: Sound in Contemporary Australian and New Zealand Art [nz Dunedin]

3cf13311-a258-4053-b4cf-e227a76e2c8d.jpgSound Full: Sound in Contemporary Australian and New Zealand Art :: July7, 2012 – November 11, 2012 :: Dunedin Public Art Gallery, 30 the Octagon, Dunedin 9011, New Zealand :: Opening weekend of Sound Full, 7–8 July, will include performances by all the artists represented in the exhibition :: T +64 3 474 3240 :: dpagmail@dcc.govt.nz

Artists: Vicky Browne; Philip Dadson; Robin Fox; Marco Fusinato; Michael Graeve; Brent Grayburn; David Haines; Eugene Hansen, Jenny Gilliam and Dr Kron; Joyce Hinterding; Michael Morley; Kusum Normoyle; Thembi Soddell; Torben Tilly and Robin Watkins.
Curated by Caleb Kelly and Aaron Kreisler. Continue reading


Jun 13, 2012
Comments (0)

Live Stage: Sideband at Museum of the Moving Image [us Astoria, NYC]

sideband_lowres-detail-main.jpgSideband June 15, 2012 at 8:00 p.m. :: At The Museum Of The Moving Image, 36-01 35th Avenue, Astoria, New York City, New York :: Tickets: $12 public / $8 Museum members. Free for Silver Screen members and above. Order online or call 718 777 6800 to reserve tickets.

Sideband creates audiovisual music using laptops as musical instruments, wireless networks, multichannel speakers, live 3-D video projections, hacked video game controllers, homemade hardware, traditional instruments, physical movement, and much more. Continue reading


Jun 13, 2012
Comments (0)

Live Stage: Incidental Music – Site-Specific Installation/Performances [us Queens]

frag.jpgIncidental Music – Site-Specific Installation/Performances :: In Fragmental Museum — a 50,000 Sq Ft Former Warehouse :: 47-10 Austell Place, Queens, New York 11101 :: Saturday, June 16th, 2012 from 4:00 p.m. – 11:00 p.m. :: Reception and refreshments at 6:00 p.m. :: Performances from 6:00 p.m. – 9:00 p.m. ::

Fragmental Museum’s Sound Series kicks-off with a day of site-specific installations and performances curated by Composer/turntablist Tristan Shepherd. Continue reading


Jun 13, 2012
Comments (0)

Invisible Time – a show for ears [fi Helsinki]

invisibletime-445×316.jpgInvisible Time – a show for ears :: MUU galleria :: Lőnnrotinkatu 33, 00180 Helsinki, Finland :: Open: June 8 – 21, 2012 :: Tue-Fri 12-5 p.m., Sat-Sun 12-4 p.m. Produced by Artists’ Association MUU. Curated by Rita Leppiniemi and Timo Soppela :: Contact director@muu.fi Timo Soppela Phone: +3589625972 ::

Produced by Artists’ Association MUU, INVISIBLE TIME is an exhibition of international Sound Art featuring works by 12 artists from 11 countries. It includes four sound installations: Miriam Akkermann’s (South Korea) interactive Info-Room deals with information exchange and its position in society. Derek Holzer (USA) uses self-made electronics and electro acoustic soundboxes in his installation, whereas Takashi Mitsui (Japan) employs ambient sound from Helsinki in his installation Symphony Room Number L-33. Stefan Riebel (Germany) creates a time (consuming) installation with LP-players. Continue reading


Jun 12, 2012
Comments (0)

ISEA 2013 Open Call for Artwork [au Sydney]

cropped-logo-sept.jpgISEA2013 :: Open Call for Artwork :: ISEA 2013 Sydney: Resistance is Futile :: Deadline: Friday, 6th August 2012 (midnight) ::

ISEA 2013 will be held in Sydney from 7th to 16th June 2013 and will consist of exhibitions, performances, symposium and public events. It will also support residencies and associated events throughout regional NSW and across Australia leading into and out of the core event.

This is our open call for artwork from individual and International artists or organisations wishing to present work in association with ISEA 2013. The deadline for this call is Friday, 6th August 2012. Continue reading


Jun 10, 2012
Comments (0)

Live Stage: Live Interfaces: Performance, Art, Music [uk Leeds]

li-logo1.jpgLive Interfaces: Performance, Art, Music :: September 7-8, 2012 :: ICSRiM, School of Music, University of Leeds, UK :: On-line submissions now open :: Live Coding workshop with Thor Magnusson :: Special Issue of Leonardo Electronic Almanac (LEA) :: Related conferences – TaPRA and ICMC ::

1. Online Submissions now open: If you would like to present a paper or performance during the conference, please submit a proposal in abstract form at: http://lipam.lurk.org/ Please use the provided template, and note the requirements detailed on the website.The deadline for both papers and performance proposals is 17th June, 2012. Continue reading


Jun 10, 2012
Comments (0)

Turbulence.org Commissions

New Radio and Performing Arts, Inc. is now accepting proposals for its Turbulence.org Commissions Program. The deadline for New York practitioners is May 31, 2012; June 30, 2012 for everyone else. The Application Guidelines are here.

Turbulence.org is the oldest and most consistent net art commissions site in the world. Now celebrating 16 years it has commissioned, exhibited and archived over 200 works. We are also in the process of archiving the collection at the Rose Goldsen Archive of New Media Art, Cornell University, Ithaca, New York. You can read about the project in Virtueel Platform Research: Archiving the Digital by Annet Dekker and Rachel Somers-Miles.


Jun 10, 2012
Comments (0)

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works