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	<title>Networked Music Review</title>
	<link>http://transition.turbulence.org/networked_music_review</link>
	<description>Emerging networked musical and sound explorations</description>
	<pubDate>Mon, 01 Dec 2008 23:06:33 +0000</pubDate>
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		<title>Net_Music_Weekly: Montréal Sound Map</title>
		<link>http://transition.turbulence.org/networked_music_review/2008/11/17/net_music_weekly-montreal-sound-map/</link>
		<comments>http://transition.turbulence.org/networked_music_review/2008/11/17/net_music_weekly-montreal-sound-map/#comments</comments>
		<pubDate>Mon, 17 Nov 2008 17:39:12 +0000</pubDate>
		<dc:creator>jo</dc:creator>
		
		<category><![CDATA[sound]]></category>

		<category><![CDATA[calls + opps]]></category>

		<category><![CDATA[mapping]]></category>

		<category><![CDATA[net_music_weekly]]></category>

		<category><![CDATA[public]]></category>

		<category><![CDATA[electroacoustic]]></category>

		<category><![CDATA[archives]]></category>

		<category><![CDATA[place-specific]]></category>

		<category><![CDATA[tag]]></category>

		<guid isPermaLink="false">http://transition.turbulence.org/networked_music_review/2008/11/17/net_music_weekly-montreal-sound-map/</guid>
		<description><![CDATA[The Montréal Sound Map &#8212; Call for Participation: Sound maps are in many ways the most effective auditory archive of an environment, touching on political, artistic, cultural, historical, and technological aspects. Montréal Sound Map&#8217;s aim is to create an archival database of sound recordings from all over Montréal.
They are accepting all (unprocessed) audio recordings (past [...]]]></description>
			<content:encoded><![CDATA[<p><img src='http://transition.turbulence.org/networked_music_review/wp-content/uploads/2008/11/montsoundmap.jpg' alt='montsoundmap.jpg' />The <a href="http://cessa.music.concordia.ca/soundmap"><strong>Montréal Sound Map</strong></a> &#8212; <strong>Call for Participation</strong>: Sound maps are in many ways the most effective auditory archive of an environment, touching on political, artistic, cultural, historical, and technological aspects. <strong>Montréal Sound Map&#8217;s</strong> aim is to create an archival database of sound recordings from all over Montréal.</p>
<p>They are accepting all (unprocessed) audio recordings (past and present) of Montreal&#8217;s sound environments. As they gather submissions, they will be placing them into a browsable tagging system based on criteria including: <em>Sound Source</em> (characteristics); <em>Location</em> (borough, neighbourhood, municipality); <em>Date</em> (time of day, month, day of week, year, season); <em>Environment Type</em> (park, metro, indoors, outdoors, etc&#8230;); <em>Equipment</em> (recording device, microphone, etc&#8230;). Files can be uploaded through the form on the &#8216;Uploads&#8217; section of the website.</p>
<p>The <a href="http://www.cessa.ca">Concordia Electroacoustic Studies Student Association</a> (CESSA) was established Fall of 2007. Our focus is primarily in spreading awareness of electroacoustic matters throughout Concordia and Montréal via projects and events, expressing particular interests in health, environmental, and social issues pertaining to sound.</p>
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		<item>
		<title>&#8220;Pings&#8221; Archive Available</title>
		<link>http://transition.turbulence.org/networked_music_review/2008/04/08/pings-archive-available/</link>
		<comments>http://transition.turbulence.org/networked_music_review/2008/04/08/pings-archive-available/#comments</comments>
		<pubDate>Tue, 08 Apr 2008 15:33:29 +0000</pubDate>
		<dc:creator>helen</dc:creator>
		
		<category><![CDATA[telematic]]></category>

		<category><![CDATA[podcast]]></category>

		<category><![CDATA[archives]]></category>

		<guid isPermaLink="false">http://transition.turbulence.org/networked_music_review/2008/04/08/pings-archive-available/</guid>
		<description><![CDATA[PINGS springs directly from the geographical distance between two collaborators. Working from their locales Simon Whitehead &#038; Barnaby Oliver explore the physical space between them through rivers and air and a range of other terrains with their own qualities, such as the web, phone, post, and less tangible links of memory and synchronicity. An ongoing [...]]]></description>
			<content:encoded><![CDATA[<p><img src='http://transition.turbulence.org/networked_music_review/wp-content/uploads/2008/04/ping.jpg' alt='ping.jpg' /><a href="http://www.untitledstates.net/pings/"><strong>PINGS</strong></a> springs directly from the geographical distance between two collaborators. Working from their locales <em>Simon Whitehead</em> &#038; <em>Barnaby Oliver</em> explore the physical space between them through rivers and air and a range of other terrains with their own qualities, such as the web, phone, post, and less tangible links of memory and synchronicity. An ongoing project archive is now available on the <a href="http://www.untitledstates.net/pings">website</a>. You can subscribe to <strong>PINGS</strong> as a podcast / RSS 2 feed from the website. And view the exchanges between the two as webpages.</p>
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		<item>
		<title>Ourmedia learning-center</title>
		<link>http://transition.turbulence.org/networked_music_review/2008/02/28/ourmedia-learning-center/</link>
		<comments>http://transition.turbulence.org/networked_music_review/2008/02/28/ourmedia-learning-center/#comments</comments>
		<pubDate>Thu, 28 Feb 2008 19:19:29 +0000</pubDate>
		<dc:creator>helen</dc:creator>
		
		<category><![CDATA[archives]]></category>

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		<description><![CDATA[If you&#8217;ve never visited  ourmedia.org ,you should do so. It has, among other things, an open media directory that lists archives and repositories of music &#8212; folkmusic, cylinder collections, audio recordings many in the public domain, music samples intended for use in music creation, early blues recordings, an archive of collaborative online jam sessions [...]]]></description>
			<content:encoded><![CDATA[<p><img src='http://transition.turbulence.org/networked_music_review/wp-content/uploads/2008/02/open.gif' alt='open.gif' />If you&#8217;ve never visited <a href="http://www.ourmedia.org/learning-center/open"> ourmedia.org</a> ,you should do so. It has, among other things, an open media directory that lists archives and repositories of music &#8212; folkmusic, cylinder collections, audio recordings many in the public domain, music samples intended for use in music creation, early blues recordings, an archive of collaborative online jam sessions available to stream and download in MP3 format.  The list goes on; there&#8217;s sure to be something there you&#8217;ll be interested in.</p>
]]></content:encoded>
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