JOSHUA LIGHT SHOW RESIDENCY :: ISSUE PROJECT ROOM :: MAY 28-31, 2008 :: 232 Third Street at 3rd Ave, 3rd Floor, Brooklyn, NY 11215 ::

Wednesday, May 28: 8pm :: ALL-STAR EXPERIMENTAL IMPROVISATION with Ikue Mori (electronics), Zeena Parkins (electric harp), Lee Ranaldo (electric guitar) and Marina Rosenfeld (electronics)

Thursday, May 29: 8 pm :: NORTH INDIAN RAGA and TALA (co-presented by Chhandayan) with Pandit Samir Chatterjee (tabla) and K.V. Mahabala (sitar) Continue reading

TONEWHEELS:: Workshop with Derek Holzer (USA) :: HMKV in the PHOENIX Halle, Dortmund ::Hochofenstr. / Ecke Rombergstr. Dortmund-Hoerde
May 29 - June 1, 2008 (Thu - Sun) :: Max. 15 participants, in English :: Registration until May 22, 2008 at info@hmkv.de or Tel +49 - 231 - 823 106

In the framework of “Waves -The Art of the Electromagnetic Society”, HMKV in the PHOENIX Halle Dortmund, May 10 - June 29, 2008, opening: Friday, May 9, 2008, 19:00, www.hmkv.de

Tonewheels is an experiment in converting graphical imagery to sound, inspired by some of the pioneering twentieth-century electronic music inventions. Continue reading

Sound:Space - Call for Submissions:An exciting opportunity has risen to exhibit at Atrium and the Atrium Projection Space at South Hill Park (Ringmead, Bracknell RG12 7PA, United Kingdom) as part of the Sound:Space season on 20 September – 9 November 2008. We invite proposals from visual and digital artists exploring the field of sound art and the representation of sound. We welcome proposals for both moving image/sound and wall-based work.

The Atrium is one of our busiest exhibition spaces and is used by a wide range of South Hill Park visitors. The space also combines a café and a lounge area and we are particularly interested in site-specific works for the space.
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Joshua Light Show :: May 28-31, 2008; 8:00 pm :: Issue Project Room, (oa) can factory, 3rd Floor, 232 Third Street at 3rd Ave, Brooklyn, NY.

ISSUE Project Room is thrilled to host pioneering multimedia artist Joshua White and his legendary Joshua Light Show for a week of unique audiovisual collaborations. The residency will involve White’s iconic projections alongside an incredible roster of musicians, with a different musical genre represented on each night of the residency. The Joshua Light Show involves a team of video and light artists, led by White and his senior collaborator, Bec Stupak (Honeygun Labs) to improvise live synesthetic visuals behind a giant rear projection screen, involving the “liquid light” techniques he developed at Bill Graham’s Fillmore East during the late 1960s. Continue reading

The Olympics are not simply a matter of fun and games. They are a multi-national media spectacle that–as we’ve seen in recent protests–can arouse and galvanize political action. The event’s organizers pitch it as a zone outside of politics, but of course issues of national identity, human rights, autonomy, economic might, and foreign policy all coalesce around the Olympics. While much of the current attention to these matters is directed at Beijing, groups in Montreal and London are already forming to address the impact that the arrival of the famous torch (ceremoniously relayed in a model invented by the Nazis to promote a strong image of the Third Reich around the 1936 Berlin games) will have upon local communities. Continue reading

[Image from Variations VII: FishNet commissioned by Turbulence.org] Variations VII by John Cage with Mobius Artists Group (MAG) members Margaret Bellafiore, Lewis Gesner, Larry Johnson, Tom Plsek, and Alisia Waller; and guest artists Joshua Jade, Forrest Larson, David Miller, and Landon Rose :: April 18-19, 2008; 8 - 9:30 pm :: Mobius, 725 Harrison Ave., Boston, MA.

Variations VII is the most recent installment in the Mobius Artists Group’s exploration of John Cage’s eight compositions, titled Variations. Beginning in 1996 with Variations I, in a version for two voices performed by David Miller and Larry Johnson, MAG members and guest artists have studied and performed this series in chronological order. Continue reading

Open Ear - Cardiff :: June 13, 2008 :: Call for Works - Open Ear is a loose collaborative group formed in 2006 by Paul Adams, Garrett Lynch and Matt Wright with the purpose of creating audio-visual art and organising live events within club, gallery, open air or site-specific venues.

On June 13 2008, Open Ear will host a free one night only event of experimental work in the ATRiuM Theatre at the University of Glamorgan’s newly built ATRiuM, Cardiff School of Creative & Cultural Industries, Cardiff, Wales. Curated by Garrett Lynch the event will present a series of interdisciplinary performances and projections by various artists. Sound and visual artists / groups working across the areas of art, music, media and new technologies within live performance / projected contexts are invited to contribute to this event under an open theme. Continue reading

A chapter on Live Audiovisuals written by Nick Collins and Amy Alexander appears in the recently released book, The Cambridge Companion to Electronic Music, edited by Nick Collins and Julio d’Escrivan.

The chapter discusses histories of audiovisual performance, including its ancestry in color organs, visual music filmmaking, light shows, cognitive science, and more - as well as various approaches to current practice including VJ’ing, live cinema, and digital media art performance. This one is not available online, but the book is available from the usual sources. Continue reading

Diapason gallery for sound and intermedia presents David Galbraith: lgOpre, an audiovisual installation :: Saturdays in April: 4/5, 4/12, 4/19, 4/26; 2 - 8 pm :: Opening Reception: April 5, 6 - 8 pm :: 882 Third Avenue (between 32nd and 33rd Street), Brooklyn, NY.

lgOpre (luh - GOP - ruh) is an audiovisual installation of multichannel sound and projected digital animation created with real-time software that links vintage grid pattern algorithms with vinyl record lock-groove samples. Continue reading

Sculpt: An interactive sound/image work for sensor gloves - MEME Thesis Performance by Robert Griffin Byron :: April 1, 2008; 8:00 pm :: Grant Recital Hall (behind Orwig Music Bldg., corner of Hope Street and Young Orchard Avenue), Brown University.

Sculpt is work for sensor gloves, interactive electronics and interactive projected image that explores the relationship between synthetic sound and synthetic image through the tactile nuance of human gesture.

Robert Griffin Byron won the A.B.C. Young Composer’s Award in 1995. Since then, Byron’s chamber music and orchestral works have been heard all across Australia, the United States, and Asia. His work has been performed by the most of Australia’s state orchestras. Continue reading