Networked_Music_Review / experimental
Scroll to prev post Scroll to next post

Category: experimental

Live Stage: Premiere of Tristan Perich’s new Parallels [us Austin, TX]

meehan_perkins_duo_with_tristan_perich_600.jpgMeehan/Perkins will premiere Tristan Perich’s new Parallels for triangles, hi-hats and 1-bit electronics :: April 6, 2013 at 9:00 p.m. :: FFA, Scottish Rite Theater, 207 West 18th Street, Austin, TX ::

Full Program (4pm to midnight ($20, $10 student)
4pm: Living Earth Show
5pm: The Weird Weeds
6pm: Austin Soundwaves
7pm: Convergence
8pm: Francois Minaux + Ryan Cronk
9pm: Meehan/Perkins Duo + Tristan Perich
10pm: Sqwonk
11pm: Steve Reich: Music for 18 Musicians


Apr 5, 2013
Comments (0)

Live Stage: Violins to Fences [au Melbourne]

violin-250×166.jpgViolins to Fences: A Life of Experimentation in Music by Jon Rose :: July 27, 2012; 6:00 pm :: Village Roadshow Theatrette – State Library of Victoria, 328 Swanston Street, Melbourne.

At one end of the continuum is the violin — iconic, an instrument of perfection, a bastion of western culture; at the other end is the fence –- metaphor for duality, the instrument of our species’ desire for control, ownership, and exploitation. For most of the last forty years, Jon Rose has explored the musical possibilities of the string and the wire in all sizes and situations. In this lecture he connects the radical with the traditional, and the unique experience with the commonplace, in a practice of music that has led him into previously unexplored sonic worlds and sometimes into confrontation. Continue reading


Jul 22, 2012
Comments (0)

Turbulence Commission: “Public Works” by Chris Mann

mann_285.jpgTurbulence Commission: Public Works by Chris Mann [Needs Firefox and Speakers/Headphones]:

Either/Or performed the world premiere of Public Works at ISSUE Project Room on June 23, 2012.

For any standard instrumentation (string trio or quartet, wind quintet, whatever) playing standard repertoire. Having chosen a piece from repertoire, each player to play other than their usual instrument (first violin to play cello, for example), and play only those notes they deem necessary (because they give the player an opportunity to change their mind, because they make other notes possible, or for some other reason other than their mere existence). Once started, there should be no attempt to synchronise time.

Public Works is a 2012 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was made possible with funds from the New York City Department of Cultural Affairs, in partnership with the City Council. Continue reading


Jul 15, 2012
Comments (0)

Live Stage: Experimental InterMedia celebrates 43 years

ny-bj261_nibloc_g_20111215184959.jpgExperimental Intermedia celebrates its 43rd Anniversary of performances at 224 Centre Street ::
the Forty-third Anniversary of the 224 Centre Street loft :: the 39th Anniversary of EI performances at 224 Centre Street :: and the Twenty-second Annual Festival with no fancy name, Part Two (or B) :: Wednesday, March 28, 2012 , at 9:00 p.m. :: 24 Centre Street at Grand, Third Floor, N Y 10013 :: with Koosil-ja and Geoff Matters

212 431 5127 :: 212 431 6430


Mar 26, 2012
Comments (0)

x_sound: John Cage, Nam June Paik and After [kr Gyeonggi-do]

mar3_namjunepaik.jpgx_sound: John Cage, Nam June Paik and After :: March 9 – July 1, 2012 :: Nam June Paik Art Center, Paiknamjune-ro 10, Sanggal-dong Giheung-gu, Yongin-si Gyeonggi-do, Korea.

The year of 2012 marks the 80th anniversary of Nam June Paik’s birth and the 100th anniversary of John Cage’s birth. The exhibition includes Cage’s and Paik’s works, but also works of today’s sound artists inheriting the two frontiers’ experimentations.

The term “x_sound” has a triple meaning: a sound that is unknown(x), that is ex-panded and that ex-pels fixed ideas about sound. “Sound” itself is literally a neutral and straightforward term, but in the contemporary art’s context, it’s a complex arena of different questions and discourses. Continue reading


Mar 4, 2012
Comments (0)

Live Stage: Infantcore [us Los Angeles]

ohybx.jpgInfantcore: Experimental Music by Babies. Motion tracking software converts the performers’ movements into sound :: February 18, 2012; 11:00 am – 4:00 pm :: Machine Project, 1200-D North Alvarado Street, Los Angeles, CA.

Taking the term “experimental venue” to one of its possible extremes, Machine Project brings you Infantcore. We have garnered a cadre of infant volunteers, graciously donated by their parents, who will serve as variables in an algorithmic sound composition. Scott Cazan has written some software for the occasion that uses a camera and a computer to track the babies’ movements and convert that information into different sonic phenomena. How will this sound? As we have never done this before, we really have no idea. It could sound terrible, not work, be boring, embarrass everyone and end in tears – like most everything at Machine Project. Continue reading


Feb 17, 2012
Comments (0)

Freedom to the Black: Erdem Helvacıoğlu [tr Istanbul]

feb9_arter.jpgFreedom to the Black: Erdem Helvacıoğlu :: February 10-26, 2012 :: ARTER – space for art, Istiklal Caddesi, 211, Beyoglu, Istanbul, Turkey. Continue reading


Feb 9, 2012
Comments (0)

ZVO.ČI.TI. so.und.ing Collection

sounding_collection.jpgCONA Institute for Contemporary Arts Processing presents ZVO.ČI.TI. so.und.ing Collection, a podcast collection of Slovenian sound artists, composers of electroacoustic, experimental, algorithmic, electronic, improvised and composed works. The DVD release of the ZVO.ČI.TI so.und.ing Collection represents the final part of the multi-year project devised to be a continuous production of thematic radio and podcast audio programmes about specific authors and works of theirs that were created in the studio or performed live.

The purpose of the project is to connect and highlight Slovenian authors who make contemporary music in the music performance, sound, intermedia, performing, online and other areas and to present them, using existing communication possibilities, into the wider arena of world contemporary sound creativity. Continue reading


Jan 22, 2012
Comments (0)

Live Stage: Neuro Reality [de Berlin]

neuroreality.jpgWorkshop: Neuro Reality Check (Max-Planck-Institute for the History of Science, Berlin) Performance: GenComp Collective Berlin & Book Launch: Critical Neuroscience: A Handbook of the Social and Cultural Contexts of Neuroscience :: December 2, 2011, 10:00 pm :: N.K., Elsenstr. 52/2, Hinterhaus Etage 2, 12059 Berlin :: Open to the public (register for the workshop here).

GenComp Collective Berlin: Chaotic, cybernetic, and hybrid systems — Neurological and cybernetic research techniques have been adopted by many experimental music protagonists, such as Louis and Bebe Barron, Alvin Lucier, David Tudor and others. Continue reading


Nov 27, 2011
Comments (0)

Live Stage: Equinoxygen Festival [us Hackensack, NJ]

eq2011-poster11-197×300.jpgE Q 2 0 1 1 – Equinoxygen Festival :: the Northeast’s premier concert series for electronic and experimental music :: Saturday, October 1, 2011 – 11:00 a.m. – 9:00 p.m. :: Wilson Auditorium, Fairleigh Dickinson University, 99 University Plaza Drive (off Hackensack Ave.), Hackensack, NJ 07601 :: 201.692.2000 :: Admission: $25 for advance/reserve seating / $35 at the door ::

One Thousand Pulses, the Northeast’s premier concert series for electronic and experimental music, proudly presents:
EQ2011 — Equinoxygen Festival — Featuring: Bernhard Wostheinrich :: Dean de Benedictis & Vic Hennigan :: The Electric Golem :: Ezekiel Honig :: John Hudak :: Jon Durant :: Mem1 & Stephen Vitiello :: Neil Nappe :: Richard Lainhart :: Taylor Deupree & Marcus Fischer :: Continue reading


Sep 23, 2011
Comments (0)

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works