Scroll to prev post Scroll to next post

Category: news

British Library releases 23,700 Audio Tracks

brit.jpgThe British Library has made 23,700 rare music and sound recordings from its massive collection, reputed to be one of the largest sound archives in the world, available for free online.

The Library announced that 2,000 hours of material — just a fraction of its entire catalogue of sound — are now available on its website. The material represents everything from children’s skipping songs to rare recordings of Ugandan royal musicians, who stopped performing in 1966 when the country’s king was exiled. Continue reading

Sep 9, 2009
Comments (0)

Sine Wave Orchestra wins Edith Russ Stipend

The Edith Russ Site for Media Art awards work stipends has awarded a 2009 stipend to The Sine Wave Orchestra (Ken Furudate, Kazuhiro Jo, Daisuke Ishida, Mizuki Noguchi)


The fundamentals of our networked, global and technological culture and our resulting means of interaction are connected by the sine wave. We dance to them on our mp3 players, watch TV because of them and surf their peaks and troughs while making long distance phone calls. Sine waves form an ethereal and omnipresent framework, which become the tactile material the SINE WAVE ORCHESTRA (SWO) sculpts and manipulates through unique participatory sound events. Continue reading

May 27, 2009
Comments (0)

Europeans Act Now – Preserve a Free and Open Internet

300px-internet_map_1024.jpgURGENT– The European open internet is in danger. The EU PARLIAMENT is voting on new rules on the 5th of MAY 2009 that will let broadband providers limit your access. Don’t let the them lock up the Internet! There will be no way back! [image from Visual Dictionary online]

Internet access is not conditional. Everyone who owns a website has an interest in defending the free use of the Internet… so has everyone who uses Google or Skype… everyone who expresses their opinions freely, does research of any kind, whether for personal health problems or academic study … everyone who shops online…who dates online…socialises online… listens to music…watches video… Continue reading

Apr 23, 2009
Comments (0)

UK Home Office restricts non-EU artists and academics

Dear friends and colleagues,

I’m writing to draw your attention to a petition that has been formed against the new Home Office restructions to non-EU artists and academics. In January Russian artist Dmitry Vilensky was twice refused a Visa to enter the UK because he was to earn a small fee for a seminar that was co-organised by The Showroom and Afterall. Since then we have become more aware of the recent changes in restrictions that make it difficult and expensive for arts organsations to bring artists and academics from outside of the EU.

The civil liberties group, The Manifesto Club along with Manick Govinda of Arts Admin, The Showroom, Afterall and other arts groups are working hard to get the message across that these parochial and suspicious regulations need to be reconsidered, and re-affirm the vital contribution made by global artists and scholars to UK cultural and intellectual life. Continue reading

Mar 1, 2009
Comments (0)

Goodbye Max Neuhaus (1939-2009)

max-neuhausthumbnail.jpgThis week marked the passing of a true visionary of contemporary art, Max Neuhaus. Originally an accomplished solo percussionist who toured with Boulez and Stockhausen, in the late 1960’s Neuhaus moved his practice out of the concert hall and into the public sphere, setting up numerous sound-based installations in and around New York City.

One of his most famous installations is Times Square, a work consisting of a large speaker emitting a resonating drone from beneath a traffic island grate in the heart of the crossroads. The work is remarkable for its ability to carve out a meditative sonic chamber amid the clamor and saturation of its surroundings. Continue reading

Feb 10, 2009
Comments (0)

World Crises Charts fed into Microsoft’s Songsmith

Johannes Kreidler fed Microsoft Songsmith with charts based on plummeting stocks, war casualties and other doomsday statistics. The results are a lot more upbeat than you would expect.


Via Boing Boing, information aesthetics, and Mt. Holly Mayor’s Office.

Feb 7, 2009
Comments (0)

“Networked” Winners Announced

networked.jpgWe are pleased to announce the winners of our international juried competition, Networked: a (networked_book) about (networked_art). They are, ANNE HELMOND, PATRICK LICHTY, ANNA MUNSTER, MARISA OLSON, and KAZYS VARNELIS.

Each will receive a commission of $3,000 to develop a chapter that will be open for revision, commentary, and translation. Networked will launch on July 1, 2009.

The runners-up are Ele Carpenter, Christine Nadir, Mark Shepard, and Jason Freeman. Continue reading

Jan 30, 2009
Comments (0)

Uncertainty About Our Survival

To those of you who have already contributed to our fundraising campaign, thank you. We are deeply grateful.

As we look at 2009, there is real uncertainty about our organization’s survival. Faced with rapidly declining funds, we must either require a membership fee — thereby blocking public access to our sites; or we must take them all offline:, Networked_Performance, Networked_Music_Review, and New American Radio.

We do not wish to do either.

At this point our only hope is that those of you who have not yet contributed to our Campaign for Sustainability will decide to do so.

Networked_Performance alone is accessed by 32,000 unique visitors per month; many of you return three or more times. If each of you were to give $5.00, we could continue to make our sites freely available.

Please act now. Pay via PayPal on the Turbulence homepagehere or mail a check to:

New Radio and Performing Arts, Inc.
124 Bourne Street
MA 02131


Helen and Jo

The following interview with Salvatore Iaconesi and penelope.di.pixel, hosted on, details our understanding and experience of new media arts funding in the U.S. Continue reading

Jan 16, 2009
Comments (0)

Interviewing the crisis

[Image: 29, the symphony, by Luca Bertini] Interviewing the crisis is a series of articles hosted on in which Salvatore Iaconesi and penelope.di.pixel analyze some of the issues of the rising financial crisis through a sequence of reports and interviews.

The project starts out with an introduction. The first interview is with Helen Thorington and Jo-Anne Green of Next will be Marc Garrett of Furtherfield, followed by Simona Lodi of Torino Share Festival.

The focus is on the crisis’ impact on art and, specifically, on new media art disciplines, organizations, artists. Continue reading

Jan 2, 2009
Comments (0)

One Day Left …

Dear Friends,

Mark Amerika says: “Turbulence is a permanent part of the digital art and electronic literature curriculum I have developed at the University of Colorado and a major component of our special topics courses too. The students who pass through our media arts program are amazed at everything Turbulence has achieved over the years. A common response is something like “I had no idea artists made work like this.” And then, with a little more direction, they too begin making networked art projects. To us, Turbulence is one of the most important cultural institutions on the planet! (Helen) and Jo have single (double)-handedly played a huge role in making it possible for higher arts educators like myself to successfully teach the networked arts.”

We know for a fact that many of you use our resources to teach digital art and new media. And many others have written to tell us how great an impact we’ve had on their careers. Please, show us how much we matter by making a donation right now. Continue reading

Dec 30, 2008
Comments (0)


Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings



Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.


NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions


"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies


Guest Bloggers:


Massachusetts Cultural Council
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Upgrade! Boston

Turbulence Works