Networked_Music_Review / telematic-performance
Scroll to prev post Scroll to next post

Category: telematic

Live Stage: Sound Art. Sound as a Medium of Art [de Karlsruhe]

soundart_zkm.jpgSound Art. Sound as a Medium of Art with works by John Cage, La Monte Young, Rolf Julius, Timo Kahlen, Steve Roden, Carsten Nicolai, Ryoji Ikeda, Iannis Xenakis and more :: March 17, 2012 – January 6, 2013 :: Opening: March 16, 2012; 7:00 pm :: ZKM_Foyer, Lorenzstraße 19, D-76135 Karlsruhe, Germany. Continue reading

Mar 4, 2012
Comments (0)

Live Stage: Transmittance #2 [si online + Ljubljana]

transmit.jpgTransmittance #2 – Telepresence Performance :: December 13, 2011; 8:00 pm CET :: & Tobacco 001 Cultural Centre, Ljubljana (the online audience can watch and interact with the performance live using a recent version of popular browser like Firefox or Chrome. No other software is needed).

Transmittance explores collaboration which is local, global, networked and broadcast. It involves an artistic group of performers, visual artists, musicians and computer programmers to research performative possibilities of streaming, broadcasting and telepresence forging new types of performance and audience. With focus on critical and socially-aware artistic languages this work is based on asking questions about body, self and society – opening non-dualistic perspectives. Continue reading

Dec 10, 2011
Comments (0)

Live Stage: Penta Locus

penta_locus.jpgPenta Locus: A Live Concert from Five Universities Around the World :: November 20, 2011; 12:00 – 1:30 pm :: Free admission. Live audience from these cities are all welcome.

Penta Locus extends a history of networking music education at five universities for a concert of new telematic music pieces by students and faculty. The concert builds on 2010 Tri Locus between University of California San Diego, New York University, and Stanford University, and past work with Queens University Belfast, Concordia University, and Hamburg Hochschule of Music. Continue reading

Nov 14, 2011
Comments (0)

Telearts Summer Institute [ca Alberta]

syneme.jpgSyneme Telearts Summer Institute II in Calgary. BC :: a 3 Week Summer Workshop :: July 4-22, 2011 :: University of Calgary, Alberta, Canada ::

TeleArts: Artists Collaborating Over High Speed Networks. The course will be taught by Dr. Kenneth Fields Canada Research Chair in Telemedia Arts; Associate Professor of Music [] :: University of Calgary Credit offered for remote participation :: You may attend this course as a resident of the Banff Centre. Complete info here: Continue reading

Apr 7, 2011
Comments (0)

Classical Music Meets Cyberspace at Sydney Opera House [au Sydney]

r737846_6007116.jpgAustralian Broadcasting Corporation :: Broadcast: 21/03/2011 :: More than one hundred musicians from thirty-three countries spent the past week at the Sydney Opera House for a unique multi-media event which has allowed their music to instantly go worldwide via YouTube. As Rebecca Bailie reports it was the perfect marriage of classical music and cyberspace – the participants had to audition online, the spectacle was uploaded and streamed direct onto mobile phones and those lucky enough to be inside the concert hall were tweeting direct from their seats. Continue reading

Mar 21, 2011
Comments (0)

NMR Commission: “WWW-Enabled Noise Toy” by Loud Objects

noisetoy_300.jpgWWW-Enabled Noise Toy by Loud Objects (with funds from the Jerome Foundation) [Needs Firefox browser]:

Loud Objects, NYC-based circuit sorcerers, present a wacky way to learn hardware audio programming. The WWW-Enabled Noise Toy invites anyone with a web browser to write their own audio code, program it remotely onto a Noise Toy, and play it live via webcam. In the spirit of “try it yourself” software demos, the website provides a simple environment for experimenting with low-level microchip-generated audio. Load code from the Loud Objects’ own library of performance algorithms, hone your own noise techniques, and add your work to the online archive to share it with other microchip coders and create an open source noise community. Continue reading

Mar 6, 2011
Comments (0)

Live stage: zerospace: a performance and conference [us Milwaukee, WI]

21.jpgzerospace: a performance and conference on distance and interaction in music :: created by C21: Center for 21st Century Studies :: Friday, February 18, 2010, 3:30 p.m. – 6:30 p.m. :: at University Of Wisconsin-Milwaukee, Center for 21st Century Studies, Milwaukee, WI ::

This one-day event explores emerging possibilities of distance and interaction in music. As new network-based technologies have facilitated and amplified human communal interaction, musicians have simultaneously embraced these for live performance. [Ø] [zerospace]—consisting of an afternoon colloquium with performances, and an evening concert—will explore several musical trends in distance and interaction in music. Continue reading

Feb 8, 2011
Comments (0)

Live Stage: Ethernet Orchestra [de Braunschweig/online]

ethernet.jpgEthernet Orchestra :: Live networked A/V improvisation :: Sunday November 14, 2010 at 11.30 a.m. Germany UTC+1 CET / 10.30 a.m. UK / Sydney 9.30 c.p.m UTC+11 EST :: at blackhole-factory, Braunschweig, Germany ::

World Time Clock:

Performed live at Kunstmuehle studio, Braunschwieg, Germany and broadcast online at It is also being recorded for furthernoise Explorations in Sound Vol, 5.

Audio mix:
Visual mix:
For full A/V experience open both URLs in separate browser windows. Continue reading

Nov 10, 2010
Comments (0)

Interview with the European Bridges Ensemble

From Interview with The European Bridges Ensemble (EBE) by Percussa AudioCube :: Current members of the European Bridges Ensemble are: Kai Niggemann (Münster, Germany), Ádám Siska (Budapest, Hungary), Johannes Kretz (Vienna, Austria), Andrea Szigetvári (Budapest, Hungary), Ivana Ognjanovic (Belgrade, Serbia), Georg Hajdu (Hamburg, Germany), and Stewart Collinson (Lincoln, England), performing with Georg Hajdu’s interactive network performance environment

… Using the term bridges as a metaphor, our initiative makes an attempt to bridge cultures, regions, locations and individuals, each with their particular history. Particularly Europe with its historical and ethnic diversity has repeatedly gone through massive changes separating and reuniting people often living in close vicinity.

Continue reading

Nov 8, 2010
Comments (0)

Maryanne Amacher: City-Links [us NYC]

[Microphone in Boston harbour, New England Fish Exchange, 1973. Courtesy of Amacher archive, Kingston, NY]

Maryanne Amacher: City-Links :: until November 28, 2010 :: Ludlow 38, Künstlerhaus Stuttgart Goethe-Institut New York, 38 Ludlow Street, New York.

Between 1967 and 1981 the pioneering sound artist produced 22 City-Links projects in total, connecting distant microphones to installations and performances using dedicated FM-quality analog phone lines. Areas of downtown Buffalo, MIT, Boston Harbor, the Mississippi River, the New York harbor, studios in various locations, and other sites in the USA and abroad were transported, sometimes integrating performers near the microphones (such as John Cage and George Lewis for City-Links #18 performed at The Kitchen in 1979). Maryanne Amacher: City-Links brings together a number of documents, images and sound samples selected and reproduced from the nascent Amacher Archive as a first look at this important series of early telematic art works about which little has been published. Continue reading

Nov 1, 2010
Comments (0)


Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings



May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.


NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions


"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies


Guest Bloggers:


Massachusetts Cultural Council
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Upgrade! Boston

Turbulence Works